1923 CATALOGUE

OF

VICTOR RECORDS

WITH

Biographical Sketches Op era Blots , New Bortraits &? Special TJed Seal Section

VICTOR

TALKING MACHINE COMPANY

Qamden , lew Jersey

U. S. A.

By the Victor Talking Machine Company

THE VICTOR RECORD CATALOGUE

THE idea of a strictly alphabetical record catalogue origi¬ nated with the Victor Talking Machine Company and established a new standard in publications of this kind. It is a catalogue and much more, for not only does it contain “all the music of all the world,” but it serves also as a musical encyclopedia which is both authoritative and convenient for reference purposes.

It will be observed that this catalogue has no index — or rather, it is all index — every title, subject, singer, organization and composer being in its proper place, with every record alphabetically indexed, each with its number, size and catalogue price printed plainly after the title. In every case where a double-faced record is listed both titles are given. For example, take double-faced record No. 45305. This appears under the E’s, as follows:

How to use

fEspana Rapsodie (Chabrier) Two Pianos Maier-Pattisonl l Waltz (from Suite for Two Pianos) ( Arensky ) Maier-Pattison /

45305

10

1.00

And this record will also be found under the W’s, with titles reversed, thus :

{Waltz (Arensky, Op. 15) ( from Suite for T wo Pianos) Espafia Rapsodie (Chabrier) Two Pianos

Maier-Pattisonl [

Maier-Pattisonir530

10

1.00

Each title appears in its proper alphabetical order, with the name of the selection on the other side of the record indented and printed in italic type in order that it may keep the alphabetical column per¬ fectly clear.

In order to make the Catalogue complete, we frequently list the same selection under different headings. An operatic record may be listed under the name of the opera from which it is taken; under the name of the artist recording it, and under the name of the composer. A standard song or instrumental composition may be listed in somewhat similar manner; by title, by the name of the artist, and by the name of the composer. Dance records and March records are grouped under "Dance” and under “March” or under

Subject Headings

the name of the Bands or Orchestras making them and they will always be found indexed alphabetically by their individual title.

This classification extends to many other kinds of musical compositions; suppose, for example, you are looking for Home Songs, you will find a list of these grouped under “Home.”

Because of the great labor involved in com¬ piling so comprehensive a catalogue, some mistakes occasionally occur. The editor wishes to thank those who have called attention to errors and suggested various changes. Corrections or suggestions for further improvement of the next edition, or communications on any subject pertaining to records, will be gladly received. Just address Victor Catalogue Editor, Camden, N. J.

Suggestions invited

The Red Seal records besides being listed in their places in the body of the Catalogue, have been repeated in a special Pink section for the convenience cf customers who are specially interested in Red Seal records.

Red Seal Section

Thumb guides in conspicuous type, both right and left hand, to facilitate turning to any desired page ; every record in alphabetical order under title of selection ; every double-faced record in alphabetical order under title of each selection in its turn. Records of standard compositions under name of composer ; many records under one or more subject headings for ready reference ; every opera with place and date of first performance ; sketches of the operas ; scenes from the operas ; every operatic record under title of the opera ; all selections from opera in exact order they are sung or played in the opera, with acts and scenes indicated; list of selected records for new Victor customers; special Red Seal section on pink paper; sketches of prominent composers; sketches of the careers of the various artists ; reference list of Victor singers and players; list of subject headings; pronunciations of composers, artists and opera titles ; a page of musical terms. The last four features will be found at the end of the catalogue.

Features

The great majority of Victor Records (vocal solos, duets, quartets and instrumental solos, etc.) are made with orchestral accompaniments. The few exceptions are many of the violin solos, certain songs which especially call for pianoforte accom¬ paniments and a list of male quartets unaccompanied.

Accompaniments

It seems almost unnecessary, but we say again to Victor customers “ Use only good needles,” “ don’t play records at various speeds,” and “ don’t use a steel needle more than once.” Victor records are made with the greatest care and if properly played will last indefinitely, and so to aid new customers in keeping records in good condition we offer the following suggestions:

How to get best results

Set the regulator so that the turntable of your Victrola revolves seventy-eight times per minute, and never change it unless for some special purpose. When using Victrola and piano together, it is occasionally necessary to change the speed slightly to get the two instruments exactly in tune ; and sometimes the dancers wish a little variation to suit the steps. Test the speed occasionally by placing a slip of paper under the edge of the record, and while it is playing, see that the paper revolves 78 times in one minute.

78 Revolutions per minute

Don’t try to drop the needle or Tungs-tone Stylus exactly into the first record groove. If you do, it is likely to make a hole, and you will hear a little “tick” when the needle passes over the spot. The proper way is to start the instrument and then wait two or three seconds until it is running at full speed (you can give the turntable a little “push” to facilitate this), carefully lower the sound box so that the needle or stylus rests on the smooth outside rim of the disc; then let go and it will glide gently into the first groove of the record. Please be especially careful to place a Tungs-tone Stylus GENTLY on the record to avoid bending the point.

Starting the record

A Selected List From Which to Choose Your First Records

To assist customers in making selections from the thousands of records listed in this catalogue, we give below a carefully selected list, which will be of particular assistance to those who are beginning to interest themselves in the great variety of musical entertainment which is made available by the Victor.

Opera Numbers

Aida — Celeste Aida In Italian Ciovanni Martinelli

Barbiere — Una voce poco fa (A Little Voice I Hear) In Italian

Lu isa Tetrazzini

Boheme — Racconto di Rodolfo In Italian Giovanni Martinelli

Boris Godounow — Farewell of Boris Feodor Chaliapin

Carmen — Habanera (Love is Like a Wood Bird) In French

Geraldine Farrar

Cavalleria Rusticana — Voi lo sapete (Santuzza’s Air, “Well You Know, Good Mother”) In Italian Emma Calve

Don Carlos — Dio, che nell’ alma infondere In Italian Martinelli De-Luca Elisir d’amore — Una furtiva lagrima (A Furtive Tear) Act II In Italian

Enrico Caruso

Faust — Dio possente (Even the Bravest Heart) In Italian De Luca

Faust — Salve, dimora (All Hail, Thou Dwelling Lowly) In Italian

Beniamino Gigli

Gioconda — Barcarola, “Pescator, affonda L’esca” In Italian Titta Ruffo Girl of the Golden West — Ch’ella mi creda (That She May Believe)

In Italian Edward Johnson

Hamlet — Brindisi, “O vin, discaccia la tristezza” In Italian ( with La Scala Chorus ) Titta Ruffo

Juive, La — Rachel! quand du Seigneur la grace tutelaire In French

Enrico Caruso

Lohengrin — Elsas Traum (Elsa’s Dream) In German Maria Jeritza

Lucia — Sextette In Italian

Galli-Curci, Egener, Caruso, de Luca, Journet and Bada Martha — Quartetto notturno (Good Night Quartet) In Italian

Alda, Caruso, Jacoby and Journet Pagliacci — Serenata d’Arlecchino (Harlequin’s Serenade) In Italian

Tito Schipa

Pagliacci — Vesti la giubba (On with the Play) In Italian Enrico Caruso Rigoletto — La donna e mobile (Woman is Fickle) In Italian Enrico Caruso Rigoletto — Quartet In Italian Caruso, Abott, Homer and Scotti

Samson et Dalila — Mon coeur s’ouvre a ta Voix In French Louise Homer Tales of Hoffmann — Barcarolle (Night of Love) In French Farrar-Scotti Tosca — E lucevan le stelle (The Stars Were Shining) In Italian

Enrico Caruso

Traviata — Addio del passato (Farewell to the Bright Visions) In Italian

Lucrezia Bori

Traviata — Sempre Libera (I’ll Fulfill the Round of Pleasure) In Italian

Amelita Galli-Curci

Trovatore — Miserere In Italian

Caruso, Alda and Metropolitan Opera Chorus

List

Number	Size	Price
74424	12 $1.75
88301	12	1.75
74381	12	1.75
88661	12	1.75
87210	10	1.25
88086	12	1.75
89160	12	2.00
88339	12	1.75
74633	12	1.75
74687	12	1.75
88394	12	1.75
64886	10	1.25
88619	12	1.75
88625	12	1.75
74749	12	1.75
95212	12	3.50
95210	12	2.50
66045	10	1.25
88061	12	1.75
87017	10	1.25
96000	12	3.00
88199	12	1.75
87502	10	1.50
87044	10	1.25
87178	10	1.25
64820	10	1.25
89030	12	2.00

Standard Songs

At Dawning (Eberhart-Cadman) John McCormack 64302 10 1.25

By the Waters of Minnetonka (Indian Love Song) (Cavanass-Lieurance)

Frances Alda 64908 10 1.25

(Chip of the Old Block, A (Simpson-Squires) Royal Dadmun)) ln . nn

i Give a Man a Horse He Can Ride (JThomson-0’ Hara) Royal Dadmun]

Dream, A (Cory-Bartlett) Evan Williams 64078 10 1.25

{Evening Brings Rest and You (Whaley-Bishop) Lambert Murphy 1 1n . nn

Kashmiri Song ( Hope-Woodforde-Finden) Lambert Murphy]

Fiddle and I (Goodeve) ( Pianoforte acc.) Gluck-Zimbalist 89093 12 2.00

A Selected List of Records— Continued

Standard Songs — Continued

Number Size

Gypsy Love Song (from “The Fortune Teller”) (SmitH-Herbert)

Reinald Werrenrath 64897

E1®.ie Bak,er}l8045 Llsie Halier J

Sophie Braslau 64633

Marsh-Cho.) a.

Marsh-Dunlapr

Olive Kline and Criterion Qt.),-,,- Elsie Baker r*6™

/Home, Sweet Home (Payne-Bishop)

\ My Old Kentucky Home {Stephen Collins Foster)

I Love You Truly (Carrie Jacobs-Bond)

/ Italian Street Song (“Naughty Marietta”) (Herbert) \ Tales of Hoffman — Barcarolle ( Offenbach )

J Lilly Dale (H. S. Thompson)

\ The Gypsy’s Warning ( Henry A. Coard)

Little Town in the Ould County Down (Pascoe-Carlo-Sanders)

John McCormack 64994

/ Longing, Dear, for You (John H. Densmore) Olive Kline \.Mn7

\ Rockin’ in de Win' (A Negro Lullaby) ( Neid linger) Olive Kline J

Mocking Bird, The (Winner) Gluck-Kellogg 74465

Old Folks at Home (Swanee River) (Stephen C. Foster) Schumann-Heink 88620 /Robin Hood, Gems from— Part 1 (Smith-de Koven) Victor Opera Co,

( Robin Hood. Gems from — Part / / ( Smith-de Koven) /Smilin’ Through (Arthur Penn)

{ Think Love of Me ( Frank H.Grey)

{Sweet and Low (Royce- Johnson)

A Southern Lullaby ( Rob't . Huntington Terry) (Tramp, Tramp, Tramp (George Frederick Root)

\ Old Black J oc ( Stephen Collins Foster)

Venetian Song (Stephenson-Tosti)

o:}

Victor Opera Co. Reinald Werrenrath).-. __ Reinald Werrenrath /

Elsie Bakerl......

Elsie Baker f45174 Criterion Quartet)----.

Peerless Quartet / Homer-Stires 87578

10

List

Price

$1.25

.75

1.25

1.00

10 1.00

10

12

1.25

1.00

1.75

35413 12 1.25

10

1.00

.75

1.50

Sacred Songs

{Angels Ever Bright and Fair (Handel)

Unfold Ye Portals! ( From “Redemption”) ( Gounod ) Ave Maria In Latin (Gounod) ( Piano acc.)

{Carry Your Cross with a Smile (Ogdon-Gabriel)

Tell Me the Story of Jesus ( Crosby-Sweney )

\

Saviour. Like a Shepherd Lead Us (Thrupp-Bradbury) fHoly Ghost, with Light Divine (Gottschalk)

Holy , Holy , Holy I ( Heber-Dyb.es )

I Need Thee Every Hour (Hawks-Lowry)

Just for To-Day (Partridge-Abbott)

Lead, Kindly Light (Newman-Dykes)

{Life’s Railway to Heaven (Abbey-Tillman)

The Harbor Bell ( Yates-Sanf^ey ) fMighty Fortress is Our God, A (M. Luther)

( Oh God, Our Help in Ages Past ( Watts-Croft )

Open the Gates of the Temple (Mrs. Joseph Knapp) j Palms, The (Jean Faure)

The Holy City (Adams)

JSacred Songs — No. 1 Sacred Songs — No. 2 J When the World Forgets (0 Gospel Hymn) (Ackley) In the Garden (Miles)

Whispering Hope (Hawthorne)

Lucy Marsh' Trinity Choir ,	[•35075	12	1.25
Gluck-Zimbalist	89091	12	2.00
Rodeheaver Rodeheaver	J 18720	10	.75
eth) Kline-Baker Kline-Baker j	[45306	10	1.00
Trinity Choir 1 Trinity Choir J	[ 16966	10	.75
Gluck-Homer	87533	10	1.50
Mme. Louise Homer	87329	10	1.25
Schumann-Heink	87340	10	1.25
Harrison-Cairns) Harrison-Cairns j	[l8925	10	.75
Trinity Male Choir 1 Trinity Male Choir J	[l8897	10	.75
Evan Williams	74198	12	1.75
William Robyn 1 Harry Macdonoughj	16408	10	.75
Victor Mixed Chorus 1	[35613	12	1.25
Victor Mixed Chorus \
Rodeheaver! Asher- Rodeheaver J	[ 18020	10	.75
Gluck-Homer	87524	10	1.50

Band and Orchestra Records

{Anchors Aweigh — March (C. A. Zimmermann) Yorktown Centennial — March (Sousa)

Blue Danube Waltz; (J. Straus)

Carmen — Aragonaise (Prelude to Act 4) (Bizet) /Chimes of Liberty March (Goldman)

\ Sagamoi e March (Goldman)

/Golondrina, La — Waltz Mexican \ Give Me a Kiss (Bolero Cubano) (L. C. Romero)

U. S. Marine Band! U. S. Marine Band J	[ 18817	10	.75
Philadelphia Orchestra	74627	12	1.75
Toscanini-La Scala Or.	64999	10	1.25
The Goldman Bandl The Goldman Band J	j 18952	10	.75
Orquesta Max Dolin) Orquesta Max Dolin )	[73171	10	.75

A Selected List of Records— Continued

{'

Band and Orchestra Records — Continued

— . " ~ _ Number

Victor Orchestral,

V iclor Orchestra j Arthur Pryor’s Band)

n a Clock Store (Descriptive Fantasie) (Orth)

A Hunt In the Forest ( Descriptive ) ( Voelker )

( King Cotton March (Sousa)

1 Officer of the Day March ( Hall) Arthur Pryor's Band

(Kiss Me Again (from “Mile. Modiste”) (Blossom-Herbert) Herbert’s Orch. ) Humoresque ( Antonin Dvorak)

(Lucia Sextette (Donizetti)

) Jewels of the Madona — Intermezzo ( Wolf -Ferrari)

Moment Musical (Schubert)

{Naughty Marietta — Intermezzo (Herbert)

Babes in 7 oyland — March of the Toys l Herbert)

Oberon — Overture — Part 1 (Weber)

Oberon — Overture — Part 2 (Weber)

>35324

| 16386

Herbert' s Orchestra Vessella’s Italian Band)

45165

{Parade of the Wooden Soldiers, The (Jessel) Twinkling Star (Paul Lincke)

{Stars and Stripes Forever March (Sousa) Fairest of the Fair (Sousa)

Tannhauser Overture — Part 1 (Wagner) Tannhauser Overture — Part 2 (Wagner) Tannhauser Overture — Part 3 (Wagner) (Traviata, La — Prelude (Verdi)

) Casse Noisette — False des Fleurs (Tschaikowsky) (Washington Post March (Sousa)

I El Capitan March (Sousa)

Vessclla’s Band J

Philadelphia Orchestra 66098 Herbert’s Orchestra)

Herbert's Orch. J 55054 Mengelberg-N. Y. Orchestra 74766 Mengelberg-N. Y. Orchestra 74767

1-73366

>16777

International Novelty Or.). International Novelty Or.)

Sousa’s Band) ^ Sousa 's Band j

Philadelphia Orchestra 74758 Philadelphia Orchestra 74759 Philadelphia Orchestra 74768 Victor Symphony Orchestral .... 7 A Victor Symphony Orchestra)

Sousa’s Band),-,.., Sousa's Band) 17J0Z

Instrumental Solos — Duets — Hawaiian, Etc.

Alice, Where Art Thou (J. Ascher) Violin Ave Maria (Schubert-Wilhelmj) Violin Capriccio Valse (Waltz Caprice) (Wieniawski) Violin Caprice Viennois (Kreisler) Violin

Capricieuse (Morceau de Genre) (Op. 17) (E. Elgar) (Drowsy Head — Medley Waltz Hawaiian Guitars ) Isle of Paradise — Medley Waltz

{Faust — Waltz from Kermesse Scene Accordion Medley of Favorite Operatic Airs Accordion (Hawaiian Waltz Medley Hawaiian Guitars \ Kilima Waltz Hawaiian Guitars (Herd Girl’s Dream, The Violin-Flute- Harp ) Happy Days (Strelezki) Violin-Flute- Harp

(Hungarian Fantasie — Part 1 (Liszt)

\ Hungarian Fantasie — Part 2 (Liszt) f Hungarian Fantasie— Part 3 (Liszt)

\ Hungarian Fantasie — Part 4 (Liszt)

(Mighty Lak’ a Rose (Nevin) Harp \ Last Rose of Summer (Moore) Harp (Minuet (Boccherini) Violin-Flute-' Cello- Harp \ Traumerei (Schumann) Violin-Flute-’ Cello- Harp Nocturne (A. Borodin)

Nocturne in B Flat (Paderewski) Piano (Old Folks at Home (S. C. Foster) Banjo ) Cradle Song (Brahms) Cornet Paradise (Krakauer-Kreisler) Violin

Mischa Elman Jascha Heifetz Erika Morin i Fritz Kreisler Jascha Heifetz Ferera-Franchini) Ferera-Franchini J Pietro)

Pietro ) Lua-Kaili)

Lua- Kaili j

Neapolitan Trio) jgggy

■io j

74724

74563

74686

74197

64760

[18771 [■ 18883 1-17701

Neapolitan Trioj

De Greef-Royal Albert Hall Or.1

DeGreef- Royal Albert Hall Or.]

55158

De Greef-Royal Albert Hall Or.lecien De Greef-Royal Albert Hall Or.]

Alberto Salvi\.-,t- Alberto Said J45J15 Florentine Q t ) 9

Florentine Qt - i Flonzaley Quartet 74733 Ignace Paderewski 74765 Fred Van Eps)17,17 Michele Rinaldi and Band )

Fritz Kreisler 66023

Prelude in C Snarp Minor (Rachmaninoff) Piano Rachmaninoff 66016

{Rakoczy March Two Pianos Guy Maier-Lee Pattison) .4531 j

Scherzo (Arensky) Two Pianos Guy Maier-Lee Pattison)

(Ross’ Dog Trot Banjo Eddie Ross\j

\ Ross' Reel Banjo Eddie Ross)

Serenade (Franz Drdla) Violin Mischa Elman 66048

Simple Confession (Simple Aveu) (Thome) ’Cello Hans Kindler 66011

Spring Song (Mendelssohn) Piano Olga Samaroff 66075

(Sweet Genevieve (Cooper-Tucker) Violin-’ Cello- Piano McKee Trio) j

) When You and I Were Young, Maggie (Johnson-Buttcrfeld) McKee Trio)

18815

>18130

List

Size Price 12 $1.25

10	.75
10	1.00
12	1.25
10	1.25
12	1.50
12	1.75
12	1.75
10	.75
10	.75
12	1.75
12	1.75
12	1.75
12	1.25
10	.75

12	1.75
12	1.75
12	1.75
12	1.75
10	1.25
10	.75
10	.75
10	.75
10	.75
12	1.50
12	1.50
10	1.00
10	.75
12	1.75
12	1.75
10	.75
10	1.25
10	1.25
10	1.00
10	.75
10	1.25
10	1.25
10	1.25
10	.75

A Selected List of Records — Continued

Comic Monologues, Recitations, Etc.

{Boy in the Bleachers — Comic Monologue Ralph Bing

My Possum Hunt — Darky Story Ralph Bin

/Casey at the Bat (Thayer) Recitation De Wolf Ho

\ Man Who Fanned Casey {Reply to "Casey at the Bat'") Digbi

{Cohen at the Telephone ( Comic Monologue) Barney Ber

Goldstein Goes in the Railroad Business Barney Be\

{Cohen Gets Married (Silver) Monroe S

Cohen On His Honeymoon { Silver ) Monroe .

(Ma and the Auto (E. A. Guest) Recitation Edgar C

\ (I) / 1 Could n t be done (2) Wail Till Your Pa Comes Home Edgar

(Mr. Gallagher and Mr. Shean — “Positively, Mr. Gallagher?”

■( Gallagher-Sl

' Mr. Gallagher and Mr. Shean — " Absolutely . Mr. Shean!" Gallagher-'

/No News, or “What Killed the Dog” Nat M. '

\ The Three Trees { From “ Spring Maid") Tom McNau

{There is Somebody Waiting for Me (Lauder) Sir Harry La

Bounding Bounder, or On the Bounding Sea Sir Harry Li

{Trixie from Dixie (Lauder) Sir Harry La

She s the Lass for Me ( Lauder ) Sir Harry Lt

{Uncle Josh on a Street Car (Stewart) Cal Ste

Uncle Josh and Nancy Visit New York { Stewart ) Cal St

{Virginian Judge {Southern Court Scene — First Session — Parti) 1

Virginian Judge {Southern Court Scene — First Session — Part II)

{Washing Baby {Humorous Monologue) Marie Cahill

Shopping {Humorous Monologue) Marie Cahil

Dance Records

{Birds of a Feather — Fox Trot (McGowan-Moran) All

Leave me with a Smile — Fox Trot { Koehler-Burtnett) All Star Trio and Or.

{Cho-Cho-San — Fox Trot (Puccini-Frey) Whiteman’s Orchestrr

Song of India — Fox Trot {Rimsky- Korsakow-Whiteman) Whiteman’s Or

/Dapper Dan — Fox Trot (Albert Von Tilzer) Club Royal Orchestre

\ The Sheik — Fox Trot {Ted Snyder) Club Royal Or chest rt

/Hot Lips — Blues Fox Trot (Busse-Lange-Davis) Whiteman’s Orchestrr

\ Send Beck My Honeyman — Fox Trot {Lou Handman) The Virginian:

{I’ll Build a Stairway to Paradise — Fox Trot (Gershwin) Whiteman’s Or You Remind Me of My Mother — Fox Trot {G. M. Cohan) Whiteman s Or

{Kitten on the Keys — Fox Trot (Zez Confrey) Confrey and His Orch.

Pick Me Up andLay Me Down in Dear Old Dixieland — Fox Trot Club Royal Or

{Lonesome Mama Blues — Fox Trot (Billie Brown) The Virginians

Memphis Blues — Fox Trot {W.C. Handy) The Virginian:

{Lovely Lucerne-Waltz (Felix Godin) Great White Way Orchestra

Romany Love — Fox Trot (J. S. Zamecnik) Whiteman's Orchestra

{Moon River — Waltz (Lee David) Green Brothers’ Marimba Orch.

Love Sends a Little Gift of Roses — Medley Waltz /Perfect Day, A Waltz (Carrie Jacobs-Bond)

\ In W intertime Waltz {McKee) Met

{Popular Songs of Yesterday — Medley Waltz No. 1 Hackel Popular Songs of Yesterday — Medley Waltz No. 2 Hac

/Suez — Fox Trot (F. Grofe-P. De Rose) Clyde Doerr and His Orch.

\ I Wish I Knew — Fox Trot {Spencer- Anderson-Bryant) Doerr and His Or.

{Swanee River Moon — Medley Waltz (Intro. “Indiana Lullaby”)

International Novelty Orch. Do It Again!— Fox Trot (G. Gershwin) Whiteman’s Orch.

/Three O’clock in the Morning — Waltz (J. Robledo) Whiteman’s Orch. \ Oriental Fox Trot {Cui's "Orientate" Whiteman s Orch.

/To-Morrow — Fox Trot (R. Turk-J. Robinson) Great White Way Orchestra \ You Gave Me Your Heart — Fox Trot {Snyder) Great While Way Orchestra

{Tuck Me to Sleep — Fox Trot (Lewis- Young-Meyer) Benson Orchestra

Wabash Blues — Fox Trot {Fred Meinken) Benson Orchestra

/Why Should I Cry Over You? — Fox Trot (Miller-Cohn)

\ Blue — Fox Trot {Lou Handman)

Number

List

Size Price

McKee’s Orchestra

[} 35490	12 $1.25
^ j-35290	12	1.25
\|\| 18029	10	.75
;jl8501	10	.75
\|\| 45258	10	1.00
i J* 18941 V	10	.75
jj 17222	10	.75
^55121	12	1.50
\|45210	10	1.00
•j 16227	10	.75
jj>45180	10	1.00
[\|45265	10	1.00
\| 18834	10	.75
1 j-18777	10	.75
j\|l8831	10	.75
jj 18920	10	.75
j 18949	10	.75
\| 18900	10	.75
18895	10	.75
\| 18966	10	.75
\|l8907	10	.75
j 35511	12	1.25
}35713	12	1.25
\|l8947	10	.75
\| 18882	10	.75
J 18940	10	.75
\| 18964	10	.75
\| 18820	10	.75
} 18933	10	.75

1923 Catalogue of

VICTOR RECORDS

A

A — For titles beginning with the word “A” see next word Aberystwyth (Jesus, Lover of My Soul) In Welsh and English

Glyndwr Male Choir? Bydd Myrdd O Rhyfeddodau (Babel) In Welsh Glyndwr Choir)

Abide With Me — Gospel Hymn by W. H. Lyte and C. H. Monk

By Geraldine Farrar (Soprano)

By Alma Gluck and Louise Homer (Soprano-Contralto)

By Kline and Baker (Soprano-Contralto) and Whispering Hope — Kline-Baker

ABOTT, BESSIE, Soprano

Rigoletto — Quartet with Caruso, Homer and Scotti

(Abou Ben Adhem (Hunt) (2) Annabel Lee (Poe) Burbeckl 1 The Last Leaf (Holmes) (2) L’Envoi (Kipling) F. Bur b eel f Absent (Glenn-Tirindelli) Baritone Emilio de Gogorza

Absent (Glenn-Metcalf) Tenor Evan Williams

(Absent (Glenn-Metcalf) Contralto Christine Miller!

I The Slumber Boat (Riley-Gaynor) Christine Miller /

Number	N t/5	13 Ck.
72813	10	.75
87076	10	1.25
87527	10	1.50
17782	10	.75
96000	12	3.00
16989	10	.75
64628	10	1.25
64109	10	1.25
45075	10	1.00

ACCORDION SOLOS — By Berg, Franzen, Frosini, Kimmel, Lager, Olsen, Pietro and Prince. (For contents of Medleys see “ Medleys, Instrumental”)

American Nat. Airs 18361 Amoureuse Waltz 16434 Ball in Karlstad (Duet) 69 1 33 Barber of Seville Ov. 35524 Beautiful Days Waltz 17551 Blaze Away March 1 792 1 Bridal Rose Overture 35345 Ciribiribin (2) La

Spagnuola 17643 Comedy Overture 35503 Diadem Quick Step 18037 Estudiantina Waltz 17865 Faust — Waltz 18883

Geese in the Bog 18193 Guarany Selection 35488 Honest Toil March 18037 Hummer Medley 1 7609 Hungarian Rag 17609

Irish Reels — Medley 1 7849 Irish Reels — Medley 18207

Italian-Span. Favor. 17802 Life in the Woods

(Duet) 73175 Light Cavalry Over. 35367 Luna Waltz 17531

Marsovia Waltz 18770 Medley of Irish Jigs 18727 Medley of Irish Jigs 18207 Medley — Operatic

Airs 18883 Medley Popular Reels 1 6948 My Sahara Rose 18702

My T reasure W altz 18770 On Heel (Duet) 73175 Over the Waves 17950 Pagliacci — Vesti la

giubba 17941 Patriotic Airs Allies 18361 Pietro’s Return M’ch 17531 Pique Dame Over. 35569

Poet and Peasant 35569 Rigoletto Quartet 35367 Romeo and Juliet 35524 Russian Rag 18743

Sharpshooters March 17551 Sirens Waltz 1 7950

Sousa Med. March 17921 Spagnuola, La

(2) Ciribiribin 1 7643 Stack of Barley 18193

Stop It — One-Step 18702 Stradella Overture 35345 Styrmans — W altz 69 1 33 Talisman of Luck 72602 Tranquillo Overture 35488 Trieste Overture 35503 Turkey in Straw 1 8743 Verona Waltz 17802

Wedding-Night Polka 72602 Wedding of Winds I 7865

(Achenu Kol Beth Israel Teile I (Our Brother) Hebrew Rosenblattl l Achenu Kol Beth Israel Teile II (Our Brother) Hebrew Rosenblatt } f Across the Still Lagoon (Loge) Violin- Harp- Flute Neapolitan Trio) l Spring Song (Weil) Violin- Harp- Flute Neapolitan Trio )

Adagietto (From “L’Arlesienne”) (Bizet) (with String Quartet) Kreisler (Adagio — 4th Symphony (Beethoven) Vessella’s Italian Band 1

l Leonore Overture, No. 3 (Part lit) Victor Concert Orchestra)

45204	10
17435	10
64601	10
35269	12

1.00

.75

1.25

VICTOR RECORDS

Number -5 § £

La Forgej

55030

12

87312

17787

16900

35718

87330

74436

16197

88115

55152

10

12

1.50

{Adagio from 5th Concerto (Beethoven) Pianoforte ( with orch .)

Scarf Dance — Air de Ballet ( Chaminade ) La Forge

ADAM, ADOLPHE CHARLES ( Ah-dam ) (Paris 1803— 1856)

French composer of Ballets, Songs and Light Operas — See “Holy Night,” “Noel,” and “Toreador”

ADAMS, STEPHEN (1844-1913) Compositions by— See “ Holy City,”

“ Nancy Lee,” “ Star of Bethlehem ” and “ Warrior Bold ”

Addio a Napoli (Farewell to Naples) (Cottrau) In Italian Caruso fAddio a Napoli (Farewell to Naples) Neapolitan Triol

l Osolemio (My Sunshine) (di Capua) Violin-Flute-Harp Neapolitan Trio) fAddio a Napoli March (Farewell to Naples) (Ascolese) Vessella’sBl l Maria, Mari (Di Capua) Vessella’s Italian Band)

Address at Hoboken, May 23, 1921 Pres. Warren G. Harding (On return from burial of 5,212 American Soldiers, Sailors, Marines and Nurses)

Address at Washington, November 12, 1921 Pres. Warren G. Harding (At Opening of International Conference for Limitation of Armament )

Adeste Fideles (Oh, Come, All Ye Faithful) (Christmas Hymn) (Oakeley-Portugal)

By Ernestine Schumann-Heink (Contralto)

By John McCormack (Tenor) In Latin with Male Chorus and Chimes By Criterion Quartet and Home Over There — Peerless Qt.

By Trinity Choir (with Chimes) and Joy to the World — Trinity Choir 16996

By Westminster Chimes and Lead, Kindly Light — Westminster Chimes 16053

AdorablesTourments (Love’sTeasing) (Barthelemy) French Caruso

{Adoshem moloch geus (The Lord Reigneth) Hebrew Rosenblatt)

Yistabach (Praised Be Thy Name) Hebrew Cantor Rosenblatt /

AEROPLANE SONG — See “Wait Till You Get Them Up in the Air” AFRICANA (Af-ree-kah' -nah) French title, L’Africaine ( Laf-ree-kahn )

Opera in five acts ; text by Scribe ; music by Meyerbeer. Produced Paris, 1 865 ; London, 1865; first N. Y., 1865. Revived in 1906 at the Metropolitan, with Caruso.

L’Africaine tells of the adventures of V asco di Gama, the explorer, who is betrothed to Inez, daughter of the King of Portugal. The King tries to marry his daughter to Don Pedro, telling her that the explorer has been shipwrecked, but Vasco suddenly appears with two slaves, Selina and Nelusfyo, whom he found off the coast of a strange land. Vasco, when the Council refuses to furnish him with a ship to explore the unknown country, denounces their parsimony and is ordered to prison. To save him, Inez consents to wed Don Pedro, who takes his wife and the slaves and sails away to find the land sought by the explorer. Don Pedro’s ship is wrecked on the coast of India through the treachery of Netusko, and most of the crew massacred. Vasco, who has followed them, becomes fascinated with Selika, who proves to be a Queen of India, but just as he is about to wed her he hears the voice of Inez and deserts the Queen. Selina, concealing her feelings, generously sends the lovers back to Spain, then kills herself with the blossoms of the poisonous mancanilla tree while Nelusko, finding her body, himself inhales the deadly perfume.

NOTE — The selections in Africana and other operas in this catalogue are printed in the order of their occurrence in the opera. Africana records are sung in Italian except as noted.

ACT III

1.25

.75

1.25

1.75

.75

1.75

1.50

_ -THE DECK OF DON PEDRO'S SHIP

All ’erta, Marinar 1 (What Ho, Mariners 1) Titta Ruffo

Adamastor, re dell* onde profonde (Adamastor, Ruler of Ocean) Ruffo ACT IV - EXTERIOR OF A TEMPLE IN INDIA

OParadisol (Oh, Paradise !) Enrico Caruso

OParadisol (Oh, Paradise I) Giovanni Martinelli

Oh Paradise! (OParadisol) In English Evan Williams

Scena di Selika, Parti — “Gia l’odio m’abbandona " (All Thought of Hate) and Part II — “ Su bianca nuvoletta” (On Yon White Cloud) Maria Baldini

87223	10
88622	12
88054	12
74440	12
74148	12
67658	10

1.25

1.75

.75

VICTOR RECORDS J Number [ Jj | ~ £

SCENES FROM l’aFRICAINE

Vasco before the Council — Act I The Indian Paradise — Act IV

Scene in the Prison — Act II The Massacre Act III The Fatal Tree — Act V

f After All (Callahan-Roberts) l Lonesome — That’s All (Bradley- Roberts)

/After a While — Fox Trot (Arden-Green) l I’m Happy — Fox Trot ( Arden-Green )

Reinald Werrenrath)

Lambert Murphy)

All Star Trio — Orch)

All Star Trio — Orch )

| After the Rain — Fox Trot Paul Whiteman and His Orchestral l Jimmy — Fox Trot (I Love But You ) Whiteman and His Orch)

f Afterwards (Lemon-Mullen) Frank Coombs)

l By the Old Cathedral Door (Lamb-Solman) Peerless Quartet)

/After You’ve Gone (Creamer-Layton) Marion Harris 1

\ I’m Glad / Can Make You Cry ( McCarron-Morgan ) Henry Burr)

Afton Water (Burns-Spillman) See “Flow Gently, Sweet Afton” Agnus Dei (Lamb of God) (Bizet) In Latin Schumann-Heink Agnus Dei (Lamb of God) (Bizet) In Latin Enrico Caruso

A Granada (To Granada) (Gras-Elias y Alvarez) In Spanish Caruso

/Ah! Cupid ( From “Prince Ananias”) (Herbert) Cornet Clarke) l Birds in the Forest ( Strange ) Violins-Flute Rattay-Witzmann-Barone)

Ah, Love, but a Day (Browning-Protheroe) Evan Williams

f Ah, Love, but a Day (2) Year’s at the Spring Littlefield)

l Irish Folk Song ( Arthur Foote) Laura Littlefield)

Ah! Moon of My Delight (From “In a Persian Garden”) McCormack

/Ah! Moon of My Delight (“In a Persian Garden”) Althouse) l Onaway! Awake, Beloved! ( Longfellow-Coleridge-Taylor ) Althouse)

(Aiaihea — Hula Shouting Song Hawaiian Quintette)

l Kumukahi (Song of the Forest) Hawaiian Quintette)

45162	10	1.00
18928	10	.75
18872	10	.75
17175	10	.75
18509	10	.75
88416	12	1.75
88425	12	1.75
88623	12	1.75
16296	10	.75
64327	10	1.25
35693	12	1.25
74232	12	1.75
55059	12	1.50
18578	10	.75

VICTOR RECORDS

Number

AIDA (Ah-ee -dah) ( All records an in Italian unless otherwise noted)

Opera in four acts. Text translated from Locle by Ghislanzoni; music by Verdi. First produced in Cairo, 1871 ; Milan, 1872; Paris, 1876; London, 1876; N. Y., 1873.

Aida, daughter of Amonasro, King of Ethiopia, has been captured by the Egyptians and is a slave at Memphis, where she and the young soldier, Rhadames, have .fallen in love with each other. Rhadames goes to the Egyptian war, and during his absence the King's daughter, Amneris, discovers the attachment and is furious, as she herself loves Rhadames. Rhadames returns, covered with glory and bringing many prisoners, among them

Amonasro, Aida’s father. The King releases all the prisoners, except Amonasro, and bestows his daughter on the unwilling Rhadames.

In the next scene Amonasro forces his daughter to persuade Rhadames to become a traitor. The latter’s love for Aida and his distaste for the approaching union with Amneris lead him to consent. Amneris, however, has overheard the plot, and after vainly trying to induce Rhadames to abandon Aida, in a jealous rage she denounces him as a traitor, and he is condemned to be buried alive. When the vault is sealed he discovers Aida, who has concealed herself there that she might die with him, and the lovers slowly suffocate.

ACT - PALACE OF THE KING AT MEMPHIS

Celeste Alda (Heavenly Alda I) Giovanni Martinelli

Celeste Alda (Heavenly Alda !) Enrico Caruso

Celeste Alda — Althouse and Standchen (.Schubert) Reimers

Ritorna vincitor (Return Victorious ! ) Johanna Gadski

Ritorna vincitor (Return Victorious 1 ) and O patria mia — Marsh

Nume custode e vindice (Guardian and Avenger) Paoli, Segurola and Cho

ACT 11 — Scene II — without the city walls Grand March and Rondo Capriccioso — Vessella’s Band

ACT 111 - BANKS OF THE NILE

O patria mia (My Native Land) Emmy Destinn

O patria mia (My Native Land) and Ritorna vincitor — Marsh

Fuggiam gli ardori (Ahl Fly with Me) Marsh-Althouse

and Madama Butterfly — O quanti — In Italian— Kline-Althouse

ACT IV — Scene I— a room in the palace Gi& i sacerdoti adunansi (The Priests Assemble) Homer and Caruso

Alda a me togliesti (Alda Thou Hast Taken) Homer and Caruso

Ohimd I Morir mi sento (Death Approaches) de Casas and Cho

74424	12	1.75
88127	12	1.75
55045	12	1.50
88137	12	1.75
55135	12	1.50
89120	12	2.00
35265	12	1.25
88469	12	1.75
55135	12	1.50
55058	12	1.50
89050	12	2.00
89051	12	2.00
88270	12	1.75

Number	WO	to —a a.
89028	12	2.00
74225	12	1.75
89029	12	2.00
74398	12	1.75
35195	12	1.25
35559	12	1.25
17864	10	.75
18757	10	.75
18812	10	.75
74292	12	1.75
64390	10	1.25
35656	12	1.25
55105	12	1.50
18575	10	.75
18585	10	.75
45203	10	1.00
18669	10	.75
89083	12	2.00
87272	10	1.25
17784	10	.75

VICTOR RECORDS

AlDA RECORDS — Continued

ACT IV - Scene II - THE JUDGMENT HALL - BELOW. AN UNDERGROUND CELL

La fatal pietra (The Fatal Stone) Final duet. Part 1 Gadski and Caruso La fatal pietra (The Fatal Stone) (Solo from above duet) Nicola Zerola O terra addio (Farewell, Oh Earth) Final duet, Part II Gadski and Caruso O terra addio (Farewell, Oh Earth) Marsh and McCormack

MISCELLANEOUS AlDA RECORDS

SELECTION — Chorus, " Glory to Isis ” — Chorus of Victory, Act 2, "Celeste Alda” — Triumphal March, Act 2 — Finale, Act 2, Pryor’s Band

and Attila — Grand Trio (Verdi) Krpl’s Bohemian Bana SELECTION — Chorus of the People — Grand March. Act 2

and Lucia Sextette — Hurtado Bros. Roual Marimba Band

(Ainahau (Music by Princess Likelike) Irene West Royal Hawaiians) l Meleana (Hula) Irene West Royal Hawaiians )

Benson Orchestra) Benson Orchestra)

Peerless Quartet)

(Ain’t We Got Fun — Fox Trot (Whiting)

( Scandinavia — Fox Trot ( Ray Perkins)

(Ain’t You Conning Out Malinda?

I My Sunny Tennessee ( Kalmar-Ruby )

Air for G String (Johann Sebastian Bach)

By Mischa Elman Violin By Jan Kubelik Violin By Victor Concert Orchestra and Gavottes (Bach) V. Concert Or

By Victor Herbert’s Orch. and Marche Slave ( Tschaikowskv ) Herbert' s Or (Akahi Hoi (I Love But Thee) (Kalakaua) Hawaiian Quintette) l Pua i mohala (My Love is Like a Blooming Flower ) Hawaiian Quintette) (Akahi Hoi Toots Paka Hawaiian Troupel

l Kalai o Pua Toots Paka Hawaiian Troupe)

(Alabama Moon (Geo. H. Green) Olive Kline — Elsie Baker 1

1 That Naughty Waltz (Take Me in Your Arms Again) Kline-Baker) (Alabama Moon — Waltz (Geo. H. Green) Hawaiian Trio)

l Wild Flower — Waltz (Mary Earl) Frank Ferer a- Anthony Franchini) A la Luz de la Luna (In the Moonlight) Spanish Caruso-de Gogorza Alba separa dalla luce l’ombra (Day Banishes the Night)

(D’Annunzio-Tosti) In Italian Enrico Caruso

( Album Leaf (Wagner) Violin-Flute- ’Cello-Harp Florentine Qt)

l Twilight (Massenet-Hubay) Violin-’Cello-Harp Venetian Trio /

ALCOCK, MERLE. Contralto

Merle Alcock, contralto, has taken high place among American singers. Though she actually ‘‘comes from Missouri,’’ having been born there, she has had to be shown but little. She began as a church singer in New York. Since then she has sung with practi¬ cally every important symphony orchestra in the United States, and at many of the larger music festivals. Her name is permanently associated with the great Bach festivals in Pennsylvania. Her voice is a deep, serene contralto, unusually rich and beautiful; its quality is attested by her Victor records.

RECORDS BY MISS ALCOCK

Gentle Annie 45169

Good-Bye, Sweet

Day 45178 I Cannot Sing the Old 452 1 6 I Have a Dream 45216

Meeting of the Waters 45178 Monastery Bells 45247

My Trundle Bed 45302

Old Road 45254

Rock-a-Bye Baby 45302

Ship o’ Dreams 45254

’Tis All That

1 Can Say 45 1 69

Violets 45313

Virgin’s Lullaby 45257

{Alcoholic Blues (Laska-Von Tilzer) Ja-Da (Bob Carleton)

Billy Murray) I

Arthur Fields) 18522

10

.75

VICTOR RECORDS

ALDA, FRANCES, Soprano ( Ahl'-dah ) (See “Alda” in Pink Section) Alice Blue Gown — From “Irene” — See “Irene”

Alice Where Art Thou (Gumsey-Ascher)

By Evan Williams (Tenor)

By Mischa Elman Violin

By McKee Trio Violin-’Cello-Piano and Come Back to Er in — McKee Trio By Bourdon-Barone * Cello-Flute and Silver Threads — Oakland

(All By Myself (Irving Berlin) Aileen Stanley 1

l Anna in Indiana ( Gorman-Rose ) Arthur Fields)

Allegro Moderato (de Beriot) (“ Seventh Concerto ”) Violin Powell Allegro Moderato (Haydn) (“Quartet in D Major”) Flonzaley Qt. Aller au Bois (Go to the Forest) (Rimsky-Korsakow) In French Gluck /All Erin is Calling Mavourneen (Ward-O’Hara) Harrison)

l Ireland Must Be Heaven, for My Mother Came from There — Harrison) fAllerseelen (All Souls’ Day) (Strauss) In German Werrenrath) l Zur Ruh’, zur Ruh’l (To Rest) (Kerner- W olf) German Werrenrath / (All for the Love of Mike (Pease-Nelson-Tobias) Miss Patricola) l Hot Lips ( He’s Got Hot Lips When He Plays Jazz) Miss Patricola / (All for You — Happiness — Medley Fox Trot Whiteman’s Orch)

X Moonbeams — Pining — Medley Fox Trot All Star Trio-Orch)

All Hail the Power of Jesus’ Name — Coronation (2) Doxology — - 1 “Praise God From Whom All Blessings Flow” Trinity Choir?

Sanctus from * ' Messe Solennelle” ( Gounod ) Trinity Choir)

(All Men. are Sinners — March Apollo Orchestra)

l It was in Schoneberg — March Apollo Orchestra)

(All Over Nothing at All — Fox Trot Whiteman’s Orch)

l Homesick. — Fox Trot ( Berlin ) Whiteman and His Orch)

f All Over Nothing at All (Brennan-Rule) Stanley-Murray)

l I’ll Stand Beneath Your Window To-Night Stanley-Murray)

Number	Size	- 1 t=x
64271	10	1.25
74724	12	1.75
17995	10	.75
16786	10	.75
18774	10	.75
74493	12	1.75
74726	12	1.75
64421	10	1.25
18111	10	.75
17179	10	.75
18967	10	.75
35708	12	1.25
35110	12	1.25
69145	10	.75
18963	10	.75
18943	10	.75

and Their Orchestra

ALL STAR TRIO

After a While Answer — Fox Trot Birds of a Feather Dotty Dimples French T rot Hand-Painted Doll Hortense — Medley I Ain't Nobody’s Darling I Like It Ho

I'm Happy I’m Laughing I’m Nobody’s Baby Just Keep a Thought 18766

Just Because You’re

You 18924

Leave Me With Smile 1 8834 Listening 18773

Lonesome Land 1 8896 Mazie — Fox Trot 18738 Mimi — Fox Trot 18790 Moonbeams — Pining 35708 My Sweet Gal 1 8835

Never Mind 18863

No Use Crying 18888

Old Man Jazz 18699

Rose-Nightingale 18733 Rose of Wash. Sq. 18659 Rosy Cheeks — FoxT. 18801

Round the Town 18750 Siren of a So. Sea 35707 Somewhere in Naples 18851 Soothing — Fox Trot 18910 Swanee 1 865 I

Teach Me 18750

Teasin' 1 8888

I2th Street Rag 18713 Vamping Rose 18787

Venetian Moon 18651 Who Believed in You 18890 Why Don’t You ? 35707

You Ain’t Heard 18659

( Saxophone-Xylophone-Piano) 18928 18738 18834 18713 18932 18896 18863

18802

18766

18790

18928

18835

18773

(All That I Need Is You — Fox Trot Club Royal Orchestra)

l Granny, You’re My Mammy’s Mammy Club Royal Orchestra)

f All the Way My Saviour Leads Me (Lowry) Macdonough) l He Will Hold Me Fast (Hardness) Criterion Quartet )

(All the Way to Calvary (Rev. A. H. Ackley) Homer Rodeheaver) l Where the Gates Swing Outward Never Asher- Rodeheaverl

All Through the Night (Old Welsh Air) (Harold Boulton)

By Julia Culp (Contralto)

By Evan Williams (Tenor)

18843	10
16239	10
18780	10
64414	10
74100	12

.75

1.25

1.75

VICTOR RECORDS

(Almost Persuaded (Bliss) Macdonough and Hemusl

l Shall IV e Meet Beyond the River ( Hastings-Rice ) Mac-Hemus )

Aloha Land — Hawaiian Waltz (W. Herzer) Hawaiian Guitars

(with Mandolin Qt.) Helen Louise-Frank Ferera)

Hawaii, I’m Lonesome for You ( 2 ) Along the Way Louise-Fereral

Aloha Oe (Farewell to Thee) Hawaiian Folk Song (Liliuokalani)

By Alma Gluck and Orpheus Quartet In English

By E. K. Rose (Tenor with Guitar) ( In Hawaiian and English) and Pua Sadinia By Hawaiian Quintette (Male Voices) and Kuu Home-Kaiawe

By Lua-Kaili (Hawaiian Guitars) and The Rosary — Pale K. Lua

By Herbert Clarke (Cornet with Band) and From an Indian Lodge — Band By Benne Henton (Saxophone with Band) and When You and I—Henlon By Victor Band and Home, Sweet Home Medley Waltz — Conway’s Band

By Pryor’s Band and Maui Girl — Hawaiian Quintette

(Alpine Flower (Edelweiss) Victor Orchestral

l A Thousand Kisses — Waltz Hungarian Gypsy Orchestra)

(Alpine Specialty — Popular Yodels l Emmett’s Favorite Yodel (Alpine Violet (Alpenveilchen) (Andre) l Evening Bells ( Abendlauten ) (with Bells)

ALTHOUSE, PAUL, Tenor

Ah! Moon of My

Delight 55059 Aida — Celeste Aida 55045

{Amanecer, El — Tango Mi Ricurita — Tango

George P. Watson) George P. Watson) Venetian Trio) Venetian Trio)

Number	Sire	2 £ —3 CL
17356	10	.75
18380	10	.75
74534	12	1.75
35622	12	1.25
18577	10	.75
17803	10	.75
17035	10	.75
18344	10	.75
17733	10	.75
18579	10	.75
73174	10	.75
16968	10	.75
18070	10	.75

Aida — Fuggiam Boris Godounow Madama Butterfly

(Roberto Firpo) Victor Dance Orchestral ( Osman Perez Freire) Victor Dance Orchestra)

55058

76031

55058

Onaway! Awake 55059 Pagliacci — Vesti la 45055 Tosca — Elucevan 45055

AMADI, ALBERTO, Tenor— See “ Mefistofele” and “ Traviata”

(Amaryllis — Old French Rondo Victor Orchestral

l Minuet in G Major (Op. / 4, No. /) ( Paderewski ) Victor Orchestra /

AMATO, PASQUALE, Baritone (See “Amato” in Pink Section)

America (My Country ’Tis of Thee) (Dr. S .F. Smith-Henry Carey) By Clarence Whitehill (Baritone)

By Reinald Werrenrath (Baritone) and Star-Spangled Bannet — Werrenrath By Billy Sunday Chorus of 2500 Voices and Sail On — Chorus

By Victor Mixed Chorus and Columbia, the Gem of the Ocean — Victor Mixed

Chorus

By Victor Military Band and Columbia, the Gem of the Ocean — Victor Mil. Band By Sousa's Band and A merican Patriotic A irs — Pryor’s Band

By Chimes and My Old Kentucky Home — Chimes

(America Forever! (Tobani) (See “Medley No. 36”) Pryor’s Bandl l Marsovia Waltzes — For dancing (Blanke) Pryor’s Band)

(American Airs — Medley (See “ Medley No. 37”) Marimba Band) l Artist’s Life Waltz ( Strauss ) Hurtado Bros. Royal Marimba Band) (American Eagle March (Boehme) Pryor’s Band)

l Loveland Waltzes ( Holzmann ) Pryor’s Orchestra)

(American Fantasie (See “ Medley No. 38”) (Herbert) Pryor’s B1 l Skater's Waltz (Les Patineurs) ( Waldteufel) Sousa’s Band)

(American Fantasie — Part I (See “Medleys”) Herbert’s Orch)

l American Fantasie — Part II ( Herbert ) Herbert’s Orchestra)

(American Flag (Drake) Recitation Wm. S. Battisl

l Name of Old Glory (Riley) Recitation Wm. S. Battisl

(American History March (Rogers) Drum, Fife and Bugle Corps'! I Just Before the Battle, Mother (Root) Campbell- Burr!

17981	10	.75
16474	10	.75
64677	10	1.25
45135	10	1 .00
18322	10	.75
17578	10	.75
17580	10	.75
16137	10	.75
16160	10	.75
35112	12	1.25
35557	12	1.25
16089	10	.75
35119	12	1.25
55093	12	1.50
35692	12	1.25
16418	10	.75

VICTOR RECORDS

40”)

Pietro)

Pietro )

| American National Airs (See “Medley No-

l Patriotic Airs of the Allies Accordion

( American Patriotic Airs Pryor’s Band

J Hail Columbia — Columbia, the Gem of the Ocean (Red, White and Blue)

[ America (My Country ’ Tis of Thee) Sousa’s Band.

AMERICAN PATRIOTIC SELECTIONS - See “ National and

Patriotic Airs — America ”

{American Patrol (Patriotic Medley with Fife and Drum) Sousa’s B1

La Sorella March (La Mattchiche) (Gallini) Sousa’s Band )

AMERICAN QUARTET - See the following titles:

Number	Site	— J Ch
18361	10	.75
16137	10	.75
16523	10	.75

Army Blue

Benny Havens. Oh

Casey Jones

Childhood Days

Down on the Mississippi

Everybody Loves Irish Song

Farmyard Medley

Floatin’ Down to CottonT’wn

Grizzly Bear

High Brown Blues

I’ll Be Glad to Get Back In the Gloaming I t's a Long Way to Tipperary Little Red School House Mandy “N” Me Negro Medley Nellie Kelly, I Love You Nestle in Your Daddy’s Arms On the Banks of the Wabash On the 5.15

Over There

’Round Her Neck She Wears Some Sunny Day Stand Up and Sing Stop! Look! Listen!

Strut Miss Lizzie There is Silver Now They All Had a Finger in Pie When You Wore a Tulip You’re a Grand Old Flag

(American Serenade — Fox Trot Waldorf-Astoria Dance Orch'l

\ Maytime Waltz (‘ ‘ Will You Remember?”) Waldorf-Astoria Dance Ori

AMERICAN SONGS — See “National and Patriotic Airs — America” (American Valor March Mandolin and Guitar Siegel and Butin) \ Sounds from the Hudson — Valse Brilliante Cornet Herbert Clarke) (America the Beautiful (2) Stars of Summer Night Victor Band) l Speed the Republic (2) Onward, Christian Soldiers Victor Band)

Amherst Songs — See “Lord Geoffrey”

{Amina — Serenade (Lincke) Pryor’s Band)

Marsooia Waltzes (B/anke- Belcher) United States Marine Band)

AMLETO — See “ Hamlet ”

Amor Mio (My Love) Vocal Waltz (Ricciardi) Italian Caruso

Amoureuse Waltz (Berger)

By Charles Kellogg Bird Voices with Orchestra and Humoresque Kellogg By Victor Concert Orchestra and Village Swallows Waltz Victor Orch

ByGuidoGialdini Whistling and Old Black Joe {Trombone Qt.) ChicagoGleeC By P. Frosini Concertina and Swiss Shepherd ( Morlarchi ) Ocarina Tapiero By Sousa’s Band and Blue Danube Waltz ( Strauss ) Pryor's Band

Am Springbrunnen (At the Fountain) (Schumann) Violin Morini (Am Springbrunnen (The Fountain) (Zabel) Harp AdaSassoli) l V alse de Concert (Hasselsmans) Harp Ada Sassoli )

AN — For titles beginning with the word “An ” see next word

{Anchors A weigh— March (Zimmermann) U. S. Marine Bandl Yorktown Centennial — March ( Sousa) United States Marine Band)

ANCONA, MARIO, Baritone

Pearl Fishers — Del tempio al limitar (Bizet) Italian with Caruso

Andante Cantabile (From String Quartet, Op. ll) (Tschaikowsky)

Violin with String Quartet Fritz Kreisler

Andante Cantabile (From String Quartet, Op. 11) Elman String Qt

{Andante from Concerto No. 2 (de Beriot) Violin Samuel Gardner 1 Serenata Napoletana (Sgambati) Violin Maximilian Pilzer)

Andante from Concerto in A Minor (Goldmark) Violin Heifetz

18432

16679

18627

16959

87176

45061

35655

16838

16434

17228

66074

55102

18817

89007

74487

74575

18175

74764

.75

1.25

LOO

1.25

.75

1.25

1.50

.75

2.00

1.75

.75

1.75

_ VICTOR RECORDS _

Andante from Quartet in D Major (Mozart) Flonzaiey Quartet Andante from Quartet in G Major (von Dittersdorf) Elman String Qt

Andante from the various Symphonies — See “Symphonies”

Andantino (Martini-Kreisler) Violin Fritz Kreisler

ANDREA CHENIER (. Sheh-nee-eh ) (Milan, 1896) (Giordano)

Come un bel dl di maggio (As Some Soft Day in May) In Italian Caruso Nemico della Patrie? (Enemy of His Country) Italian Ruffo

Son sessant’ anni (Sixty Years Hast Thou Served Them) Italian Ruffo Un di all’ azzurro spazio (Once O’er the Azure Fields) In Italian Caruso

(Berlin)

Arthur Fields'!

Murray )

/And That Ain’t All (Green-Stept)

\ I’ve Got My Captain Wording for Me Now And the Glory of the Lord — See “ Messiah "

/And Then I Laughed — Laughing Song l Two Jolly Sailors (Porter- Israel)

(Angel Child (Price-Silver-Davis) l Some Sunny Day (Irving Berlin)

(Angel Child — Fox Trot (Price-Silver-Davis) Benson Orchestral l My Mammy Knows — Fox Trot (De Costa-] erome) Benson Orch)

Angel Face (Victor Herbert) — See “ I Might Be Your Once-in-a-While” (Angel of Love Waltz (Ange d’ Amour) (Waldteufel) Pryor’s Band! 1 Blue Danube Waltz (Strauss) Victor Dance Orchestra )

Cal Stewart) Porter and Harlan) Campbell-Burr) American Quartet)

Angel’s Dream — Waltz (A. Herman) Conway’s Band'

“ Angel’s Serenade” (Braga) — ‘"Spring Song” (Mendelssohn) —

“ Kreutzer Sonata” (Beethoven) — “ Nocturne” (Chopin)

Nightingale Waltz (Czibulk.a) Conway’s Band,

Angels Ever Bright and Fair (“Theodora”) (Handel) Alma Gluck (Angels Ever Bright and Fair (Handel) Lucy Isabelle Marsh) l Unfold Ye Portals I (From" Redemption”) (Gounod) Trinity Choir) (Angels from the Realms of Glory (Christmas Hymn) (Tune — 1

j “ Regent Square ”) (Montgomery-Smart) Trinity Choir r

l Oh, Little Town of Bethlehem ( Christmas Hymn) Trinity Choir)

Angel’s Serenade (Gaetano Braga)

By Alma Gluck and Efrem Zimbalist By Frances Alda and Mischa Elman In Italian By John McCormack and Fritz Kreisler

By Elsie Baker and Ave Maria (Cavalleria Rusticana) Raymond Dixon By Victor Herbert's Orchestra and Largo ( HandeD Herbert’s Orch

By Rattay and Bourdon Violin-’Cello and Fifth Nocturne — Rattay

(Angels (We Call Them Mothers Down Here) Henry Burr)

l Over the Hill (Klein-Allen-Rubens) Charles Hart)

Angel’s Whisper (Samuel Lover) ’Cello (Piano acc.) Herbert

(Angelus, The (“Sweethearts”) (Herbert) MacDonald- Werrenrath) l Natoma — Dagger Dance Act II Herbert’s Orchestra)

(Angelus, The (“Scenes Pittoresques”) (Massenet) Victor Concert Or) l Valse Triste (Jean Sibelius) (Op. 44) Vidor Concert Orchestra)

ANIMAL IMITATIONS — See “Barnyard Serenade” — “Farmyard Medley” — “ Imitations of Farm Animals ” — “In a Zoological Garden” — “Morning in Noah’s Ark” — “Old Dog Sport” — “Santa Claus” — “Teddy Bears’ Picnic ” and “Three Sioux Scouts”

{Annabel Lee (Poe) (2) Abou Ben Adhem (Leigh Hunt) Burbeckl The Last Leaf (Holmes) (2) L’Envoi (Kipling) F. Burbec\ )

Number	4> C/5	M
74579	12	1.75
74525	12	1.75
64315	10	1.25
87266	10	1.25
88626	12	1.75
87325	10	1.25
88060	12	1.75
18604	10	.75
17418	10	.75
18903	10	.75
18870	10	.75
16391	10	.75
35500	12	1.25
74559	12	1.75
35075	12	1.25
35594	12	1.25
89092	12	2.00
89130	12	2.00
89103	12	2.00
35466	12	1.25
55040	12	1.50
16410	10	.75
18736	10	.75
64240	10	1.25
55113	12	1.50
35437	12	1.25
16989	10	.75

VICTOR RECORDS

Arthur Fieldsl

Aileen Stanley l

{Anna in Indiana (Gorman-Rose)

All By Myself { Irving Berlin)

Annie Laurie (William Douglass-Lady John Scott)

By Geraldine Farrar (Soprano)

By Nellie Melba (Soprano)

By Louise Homer (Contralto)

By Elsie Baker (Contralto) and Ben Bolt — -Elsie Baker

By John McCormack (Tenor)

By Charles Schuetze Harp and Believe Me, If All Those Young Charms — Place By Samuel Gardner V iolin and My Old Kentucky Home — Gardner

By Victor Military Band and Drink to Me Only — Victor Band

An Open Secret (Anonymous-Woodman) Frances Alda

Answer (Robyn) In English Evan Williams

Answer — Medley Fox Trot (intro, “All She’d Say”) (Vocal Chorus)

All Star Trio-Or

Mazie — Fox Trot {Caine- Dawson-Gold) {Vocal Cho.) All Star Trio-O. ANTHEMS — See “Sacred Songs”

ANTHONY and HARRISON - Tenor and Baritone Duets

Close to Thee 17024 | Some Sweet Day 16688 I Valley of Peace

Looking This Way 17024 I 'Tis ButaLittle Flower 1 721 7 I

Anvil Chorus — See “Trovatore”

ANVIL EFFECTS, Records— See also “Trovatore — Anvil Chorus” —

— “Clang of the Forge” — “Forge in the Forest” — “Jolly Coppersmith” (Anvil Polka (Parlow) Victor Orchestra)

l Dance of the Honey Bees {Bird effects by Belmont) Victor Orchestral Any Place is Heaven if You Are Near Me (Lohr) McCormack (Anytime, Anyday — Fox Trot (Kortlander) Whiteman’s Orchl

\ W ang- W ang Blues — Fox Trot {Mueller-Johnson-Busse) Whiteman’sOl (Aooah (Love Song) (2) Her Blanket Princess Watahwaso) l By the Weeping Waters {Lieurance) Princess Watahroasol

APOLLO ORCHESTRA

All Men are Sinners — March 69145 I It was in Schttneberg — March 69145 Faust — Selections 68332 I

APPLE BLOSSOMS (Operetta by LeBaron-Jacobi-Kreisler)

Who Can Tell Violin Fritz Kreisler

You Are Free and I Might Be Your Once-in-a-While — Kline

’APPLE BLOSSOMS — Gems from Victor Light Opera Company'

Chorus, “The Second Violin”; Duet, “You Are Free"; Chorus, "When the Wedding Bells are Ringing"; Solo, "Brothers”; Solo,

“Star of Love"; Chorus, "Little Girls, Good-Bye”.

Gems from' 'Irene” ( McCarthy-Tierney ) Victor Light Opera Company

Apple Blossoms — Medley One-Step and Carolina Sunshine — Smith's Or

(Apple Blossoms — Reverie (Roberts) Victor Orchestral

l Unrequited Love Waltz {Linc^e) Sousa’s Band /

IApprenti Sorcier (Sorcerer’s Apprentice) (Dukas) i

Royal Albert Hall Orch i Apprenti Sorcier — Part 2 {Scherzo Symphonique) Royal Albert Hall Or) Aprile (April) (Tosti) In Italian Luisa Tetrazzini

/April Showers (From “Bombo”) (DeSylva-Silvers) C. Harrison") l Leave Me With a Smile {Koehler- Burtnett) Chas. Harrison }

(April Showers — Fox Trot (“Bombo”) Whiteman’s Orchl

l Weep No More My Mammy — Fox Trot {Pollack) Whiteman’s Orl (April Smiles Waltz (Depret) Victor Orchestral

l High School Cadets March {Sousa) Sousa’s Bandl

Number	5	List prc.
18774	10	.75
88052	12	1.75
88551	12	1.75
87206 10	1.25
16388 10	.75
64138 10	1.25
1741610	.75
17756	10	.75
18177	10	.75
64960	10	1.25
74205	12	1.75
18738	10	.75

16853

\

‘Anvil Polka,!

1 16175	10	.75
64699	10	1.25
18694	10	.75
18418	10	.75
64902	10	1.25
45173	10	1.00
35697	12	1.25
18646	10	.75
35101	12	1.25
55169	12	1.50
88306	12	1.75
18862	10	.75
18825	10	.75
16200	10	.75

VICTOR RECORDS

Arabesque in A Flat (Leschetitzky) (2) Finlandisch Dance

Piano Benno Moiseivitch

Impromptu in F Sharp Major ( Chopin ) Piano Moiseivitch

Arabian Melody (Melodie Arabe) (Glazounow) ’Cello Kindler

{Arab Love Song (Hein) Harry Macdonoughl

Sweet Adeline ( Armstrong ) Hayden Quartet I

{Arcadians, The — Favorite Melodies Pryor’s Band!

The Dream Waltz (From “A Waltz Dream”) ( Strauss ) Victor Orchi

ARDEN, VICTOR and OHMAN, PHIL— Piano Duets

I’ve Got the Wonder 18867 I Saturday 18809

Oh Joy! (In Fox Trot tempo) 18809 | Say, Persianna 18867

ARDITI, LUIGI (Ahr-dee' -tee) (Italy, 1822; d. Brighton, Eng., 1903) Italian Opera conductor and composer. See “ Bacio,” “ Kiss Waltz,” “ Leggiero invisibile,” “ Parla Valse ” and “ Se saran rose ”

{Are Y ou from Dixie (’Cause I’m from Dixie Too) Murray-Kaufmanl Don’t Bite the Hand That’s Feeding You Irving Kaufman)

(Are You Playing Fair? — Fox Trot (Cohen-Siegrist) Confrey’s Or) l The Sneak! — Fox Trot ( Nacio Herb Brown) Club Royal Orch )

Castle House Orchestra)

Joseph Moskowitz)

Joseph Moskowitz )

(Arganarez — Tango (Firpo) l Enticement Tango ( G . Noceti)

(Argentine Dance Cembalom l Inspiration— Spanish V alse Cembalom

ARGENTINE REPUBLIC, Patriotic Airs of — See “National Airs”

{Arkansaw Minstrels (Contents under Minstrels) Victor Minstrel Col Louisiana Minstrels Victor Minstrel Company)

{Arkansaw Traveler — Parody (Lovenberg) Arthur Pryor’s Band! The Girl I Left Behind Me — Humoresque Arthur Pryor’s Band)

(Arkansaw Traveler (American Folk Dance) Victor Bandl

\ Soldier’s Joy (American Folk Dance) Victor Military Band)

{Arkansaw Traveler — Specialty with Violin Len Spencer!

Rabbit Hash — Negro Specialty Billy Golden)

ARLESIENNE — Orchestral Suite by Georges Bizet (Written as incidental music to Daudet’s Play of “ L’ Arlesienne”)

Adagietto Violin Fritz Kreisler and String Quartet

Farandole Toscanini and La Scala Orchestra

Farandole — Part IV — Vessella’s Band and Caprice Espanol — Vessella’s Band Minuet Piano Sergei Rachmaninoff

Arm, Arm, Ye Brave (“Judas Maccabaeus”) (Handel) ^Vitherspoon

ARMENIAN RECORDS -See “Victor Armenian Catalogue”

{Armide — Musette Ballet (Gluck) Victor Orchestral

Chanson Triste (Tschaikowsky) Victor Concert Orchestra)

Armorer’s Song — See “Robin Hood”

(Army Blue (West Point Song) American Quartet 1

l Benny Havens, Oh l (West Point Song) American Quartet)

Army Bugle Calls — See “Bugle Calls”

(Army 2-4 March (“Flowers of Edinborough” and “Blackberry 1

Blossoms”) Field Music 7th Regt. N. Y. National Guard [ Quick-Step 6-8 March Field Music 7th Regt. N. Y. National Guard)

Number		uo £ ■J a.
55157	12	1.50
66026	10	1.25
16803	10	.75
16923	10	.75

17942

18921

17556

18155

35213

18055

18331

16199

64601

64986

17908

66085

74505

18314

17500

18299

10

.75

1.25

.75

1.25

.75

1.25

1.75

.75

VICTOR RECORDS

Number & 5 £

ARNDT, (The Late) FELIX, Piano Solos — See also “Celesta Solos’

Desecration Rag	17608	Marionette	18284
From Soup to Nuts	17558	Narcissus	1831 1
Hacienda	17608	Nola Fox Trot	18056
Hesitation Waltz	17558	Operatic Nightmare	18056
Humoresque (Dvorak)	18311	Valse Bleue	18284

ARNE, Dr. Thomas Augustine (1710-1773)

Born in London, designed for the law. Practiced music secretly. Became one of the most prolific of English composers. Wrote 30 operas and other works. Trained his own sister, Mrs. Colley Cibber, famous actress. Composer of “ Rule, Britannia,” first written for a royal masque. First introduced women’s voices into oratorio. For compositions see "Lass with the Delicate Air,” “Rule, Britannia,’’ and Shakespeare — “As You Like It.”

(Asleep in Jesus (Bradbury) l Only W aiting ( Maeo - Williams)

ARRAL, BLANCHE, Soprano — Valse d’oiseau (Bird Waltz) French Varney]64099 (Arrival of the Robins (Warbling) (Allen) Belmont and Orch!

I Robin Red Breast (Bird Effects) (JDeKooen) Macdonough and Belmont) (Artful Artie Two-Step (Pryor) Pryor’s Band!

l Day at West Point ( Military Piece) ( Bendix ) Pryor’s Band)

(Artist’s Life Waltz (Strauss) Royal Marimba Band)

l American Airs — Medley Hurtado Bros. Royal Marimba Band)

As a Beam O’er the Face of the Waters (Moore) Alma Gluck

ASHER, MRS. WILLIAM, Contralto— See “In the Garden,” “Nobody Like Jesus,” “Old Rugged Cross,’’ and “Somebody Cares”

Lyric Quartet!

Frederick, Wheeler !

(Asleep in the Deep (Petrie) Wilfred Glenn!

I Rocked in the Cradle of the Deep ( Knight ) Wilfred Glenn)

Asthore (Bingham-Trotere) John McCormack

AS YOU LIKE IT (Shakesp eare) (See " Shakespeare

As Y ou Were — If You Could Care (Wimperis-Darewski) Frances Alda

(At a Georgia Camp Meeting (Mills) Sousa’s Bandl

l Dixie ( Emmett ) Criterion Quartet)

Atalanta — Come, Beloved (Handel) Alma Gluck

(At an Old Trysting Place (2) To a Wild Rose Herbert’s Orch!

I The Rosary (Ethelbert Nevin) Victor Herbert’s Orchestra)

At Dawning (Eberhart-Cadman) John McCormack

(At Dawning (Cadman) Victor Herbert’s Orchestral

l The Waltzing Doll ( Poupee Valsante) ( Poldini ) Herbert’s Orch )

ATHENIAN MANDOLIN QUARTET, Mandolins and Guitar

Cadiz March and Mo-Ana (Hawaiian Waltz) Athenian Mandolin Qt

At Parting (Frederic Peterson-Jas. H. Rogers)

At the Brook (Boisdeffre) Violin with Harp acc.

(At the Brook (Boisdeffre) Violin-’Cello- Pianoforte 1 Serenade ( Drigo ) Violin-’ Cello- Flute- Harp

Geraldine Farrar Maud Powell

Tollefsen Trio! Florentine Quartet /

Charles R. Taggart 1

Charles R. Taggart)

(At the County Fair

l Pineville Band ( with Violin specialty)

At the Fountain — See “Am Springbrunnen”

•

(At the Jazz Band Ball — One-Step Original Dixieland Jazz Band!

I Ostrich Walk — Fox Trot (Larocca-Shields) Dixieland Jazz Band!

16094

16021

35557

64415

17389

17309

74299

64859

16402

74504

45187

64302

45170

18057

87319

64103

17600

17794

18457

1.25

.75

1.25

.75

1.75

1.25

.75

1.75

1.00

1.25

1.00

.75

1.25

.75

VICTOR RECORDS

(At the Levee on Revival Day

l The Darktown Editors

{At the Mountain Inn Idyl (Labitzky)

Melody of Love (H. Engelmann)

< Attila — Grand Trio (with Comet, T rombone and Euphonium — T rio by

Collins and Harlan 1

Golden and Heins)

with Bells Neapolitan Triol Florentine Quartet)

(Verdi)

Kryl’s Bohemian Band

Pryor’s Band,

Fritz Kreisler

Kryl, Cimera and Cinconne ) l Aida Selection (Verdi)

Aubade Provenqale (Couperin) Violin

AUBER, DANIEL FRANCOIS ESPRIT (Oh' -bair) (Caen, 1782; d Paris, 1871). French composer of operas. See “Fra Diavolo,” “Manon Lescaut”

Au Clair de la Lune (In the Moonlight) French Farrar-CIen Au Clair de la Lune — See also “Three Little Songs for Children'

f Auf Fltigeln des Gesanges (On Wings of Song) German Reim l Wohin ? (Whither ?) ( Schubert ) In German Pianoforte acc. Paul Rein

Auf Wiedersehn (From “The Blue Paradise’’) (Reynolds-Rombefg) By Julia Culp (Contralto).

By Green-Macdonough and Teach Me to Smile — Green

Auld Lang Syne (Old Scotch Air) (Poem by Robert Burns)

By Julia Culp (Contralto)

By Evan Williams (Tenor)

By Peerless Quartet (Unacc) and College Days-Shannon Four

By Westminster Chimes and Turkey in the Straw — Medley — Banjo — V an Eps

(Auld Scotch Sangs (Oh Sing to Me) (Bethune-Leeson) Lauder) l Mary of Argyle ( Jejferys-Nelson ) Sir Harry Lauder)

(Auld Scotia — Lauder Songs (See “ Medley No. 43”) Pryor’s Band) l Fortune Teller Selection (Victor Herbert) Pryor’s Band)

{Aunt Mandy (Darky Sketch) Golden and Hughes)

The Ghost of the Banjo Coon (Coon Song) Arthur Collins)

(Aunt Shaw’s Pet Jug (Recitation) (Day) Henry Allan Price) l Little Orphant Annie (James Whitcomb Riley) Henry Allan Price)

{Auntie Skinner’s Chicken Dinner Collins and Harlan)

Little Ford Rambled Right Along Billy Murray /

Au Printemps (To Spring) (Gounod) In French Geraldine Farrar

(Au Printemps (Spring Song) (Gounod) Zither l Dew is Sparkling (Es blin^t der Tau) Zither

(Aus der Jugendzeit (Radecke) In German X Wer nicht liebt Wein, Weib und Gesang In German

( Automobile Parody (See “Medley No.l ”)

Number	Size	List prc.
17300	10	.75
17747	10	.75
35195	12	1.25
64202	10	1.25
87509	10	1.50
45065	10	1.00
74523	12	1.75
17858	10	.75
64418	10	1.25
64105	10	1.25

D. Wormser) D. Wormser)

Emil Muench)

Emil Muench )

Nat M. Wills)

l Pineville School Board

Charles Ross Taggart)

18792

16390

45256

35224

17011

16831

17755

87313

17861

16409

35601

AUTOMOBILE SELECTIONS — See “Automobile Parody,” "Little Ford,” “Ma and the Auto,’’ “Mr. Rastus Johnson’s Joy Ride. “O’Brien’s Automobile,” “Uncle Josh Buys an Auto”

(Autumn (Saviour, Breathe an Evening Blessing) l God is Love (Shelley)

(Avalon (Al. Jolson- Vincent Rose) l Rock-a-Bye Lullaby Mammy

{Avalon — Just Like a Gypsy — Med. Fox Trot (Rose) Best Ever — Medley One-Step

Trinity Choir) Lyric Quartet)

Chas. Harrison)

Peerless Quartet )

Whiteman’s Or) Whiteman ’s On

.75

1.00

1.25

.75

1.25

.75

1.25

17096

18707

35701

10

12

.75

1.25

VICTOR RECORDS

Ave Maria (Johann Sebastian Bach — Charles Francois Gounod)

By Nellie Melba and Jan Kubelik In Latin By Alma Gluck and Efrem Zimbalist In Latin By Frances Alda and Mischa Elman In Latin By Emma Eames and Josef Hollman In Latin By Emmy Destinn In Latin By John McCormack and Fritz Kreisler In Latin By Marie Michailowa In Latin By Elizabeth Wheeler In Latin and I Heard the Voice — Mr. and Mrs. Wheeler 16490

Ave Maria (Kahn) Violin obbligato In Latin Caruso and Elman Ave Maria (Luigi Luzzi) In Latin Renato Zanelli

Ave Maria (Franz Peter Schubert)

By Julia Culp In German By John McCormack and Fritz Kreisler By Maud Powell (with String Quartet and Harp)

By Mischa Elman V iolin By Jascha Heifetz Violin

By Beatrice Harrison ’ Cello and Meistersinger — Prize Song — Harrison

By Lucy Isabelle Marsh (with Harp acc.) and Hail to the Chief — Male Quartet

Ave Maria (Adapted to the “ Intermezzo" from “ Cavalleria Rusticana")

(Weatherly-Mascagni) McCormack and Kreisler

(Ave Maria (Weatherly-Mascagni) In English l Angel s Serenade {Braga) Violin obbligato Ave Maria — Otello — See “Otello”

AVON COMEDY FOUR, Male Quartet Cohen’s Wedding 35602

Ginsberg’s Speech 35606

Hungarian Restaurant Scene 35602 My Mother's Rosary 18081

(Away Down South (Lewis- Young- Akst)

Raymond Dixon

Elsie Baker )

Professor’s Birthday Way Out Yonder Yaaka Hula Hickey

18081

Peerless Quartet]

’Way Down Yonder in New Orleans {“Strut Miss Lizzie” ) Peerless Q/J

(A wee Deoch an’ Doris l Bonnie Maggie Tamson Ay-Ay-Ay (Creole Song) Ay-Ay-Ay (Creole Song) (Azalea Waltz (B. Hartz)

Sir Harry Lauder]

Sir Harry Lauder)

(Osman Perez-Freire) In Spanish Zanel! (Osman Perez-Freire) In Spanish Schip Mandolin Dr

Italian Favorites {LaSpagnuola Waltz and Ciribiribin) Accordion Pietro)

B

(Babes in Toyland — March of the Toys (Herbert) Herbert’s Orch] l Naughty Marietta — Intermezzo Herbert’s Orchestra J

fBabes in Toyland — Military Ball Victor Herbert’s Orch]

l Badinage (Herbert) Victor Herbert’s Orch)

(Baby (Bertrand Brown) Olive Kline]

l Little Home With You {Teschemacher- Forster) Dadmun J

/Baby Dreams (Harbach-Hammerstein-Stothart) Baker]

l Mill By the Sea {Furber- Adams) Elsie Baker J

/Baby in Love — Fox Trot (“From Last Waltz”) Hackel-Berge Qr] ( Last Waltz — Medley Waltz {From “ Last Waltz”) Hackel-Berge QrJ (Baby Jim (John B. Archer) Elsie Baker]

l Chinese Lullaby {From ” East is West”) {Bowers) Kline .

(Baby’s Sweetheart — Serenade (Corri) Conway’s Band

l Farmyard Caprice ( Thurban) Conway ’s Band.

Number	Size	—a a
89073	12	2.00
89091	12	2.00
89129	12	2.00
88016	12	1.75
88562	12	1.75
89104	12	2.00
61131	10	1.25
16490	10	.75
89065	12	2.00
74747	12	1.75
64489	10	1.25
89107	12	2.00
74177	12	1.75
74339	12	1.75
74563	12	1.75
55067	12	1.50
55052	12	1.50
87546	10	1.50
35466	12	1.25
18942	10	.75
55120	12	1.50
64951	10	1.25
74753	12	1.75
17643	10	.75
55054	12	1.50
55104	12	1.50
45308	10	1.00
45264	10	1.00
18788	10	.75
45167	10	1.00
17215	10	.75

VICTOR RECORDS

Number

4J i *-»

rj c n

& I —3

BACH, JOHANN SEBASTIAN (Bahkh)

Born Eisenach, Prussia, 1685. Family very musical and was taught violin by father. Afterward studied clavichord. Chorister at Luneberg, 1 700. Organist, Armstadt, 1 704 ; appointed court organist at Weimar, I 707; then Concertmeister. Kapellmeister at Coethen 1717 to 1 723, then director of several Leipsic churches. Married twice; 20 children. Was greatest master of fugue and counterpoint, and first to introduce present method of fingering for pianoforte. Works numerous, including 300 church cantatas, many organ works, suites, concertos, etc. Larger works include Mass in B Minor, Christmas Oratorio, Passion of St. John and St, Matthew. Bach died in I 750, after having become almost blind.

BACH

RECORDS OF BACH COMPOSITIONS— See “Air for G String,” “Ave Maria,” “Con¬ certo for Two Violins,” “Gavotte,” “My Heart Ever Faithful,” and “Suite in D Major”

Bacio (Vocal Waltz — “The Kiss”) (Arditi) In Italian Nielsen 74107

BACON, F. J. Banjo — West Lawn Polka and Ciribiribin IValtz — Gialdini 17129

f Badinage (Herbert) _ Victor Herbert’s Orch'l

l Babes in Toyland {The Military Ball) ( Herbert )

BAD1NI, ERNESTO, Baritone — See “ Barbiere,” “Cristoforo” and “Traviata”

Herbert’s Orchf

“ Cavalleria,”

55104

BAGPIPE RECORDS— See “ Ennis,” “ Highland Fling,” “ Hundred Pipers,” “Lovat Bagpipe Band,” “March Past of the Cameron High¬ landers,” “Neil Gow,” “Sutcliffe Troupe,” also “Hail to the Chief”

fBake Dat Chicken Pie (Dumont) Collins and Harlan-!

I The Preacher and the Bear ( Arzonia ) Arthur Collins I

BAKER, ELSIE, Contralto — See also, “Educational”

Elsie Baker comes of a Philadelphia musical family. She began at the piano as a child, then studied singing under various teachers, including Oscar Saenger. Unlike most singers, she believed the true school for the American voice was in the church, where she had wide experience. She has made lengthened tours in concert and oratorio, and had many triumphs. She has been at the head of her own company, touring the United States from coast to coast. Her Victor records, made either alone or in collaboration with other artists, have won her an enviable place in American musical life.

1.75

.75

1.50

PHOTO APEOA

BAKER RECORDS

Angel’s Serenade 35466 Annie Laurie 1 6388

Baby Dreams 45264

Baby Jim 45167

Ben Bolt 16388,35162 Blue Bird 45156

Calvary 1 7240

Dearie 17189

Dear Little Boy 45161 Elijah — Oh Rest in

the Lord 35699 Erminie — Lullaby 17345 Faust — Flower Song 35086 Gypsy's Warning 45329

Hiawatha’sChildhood3561 7 Holy City — Eye Hath 35455 Home, Sweet Home 18045 Home, Sweet Home 35398 Homing 45249

Hush-a- Bye-Baby 45241 1 Love You Truly 17121 I’m a-Longin’ Fo’ You 18044 In an Old-Fashioned

Town 45147 In the Afterglow 45200

In the Gloaming 17806

It Was the Time 45247

John Anderson, MyJol7366 Leave It With Him 45322 Leaves’ Party 18074

Long, Long Ago 17343 Loreley 17181

Love’ s Old SweetSong 17366 Lullaby 17181

Mammy Dear 45241

Messiah — He Shall

Feed 45144,35699

Mill by the Sea 45264

BAKER

My Old Ky. Home 18045 No Night There 45322 Oh, Promise Me 17806 Old Folks at Home 35398 Old Folks at Home 16389 One Fleeting Hour I 7968 One Sweetly Solemn

Thought 1 7564

Our Yesterdays 45 1 68

Perfect Day 17387

Pickaninny’s Lullaby 17039 Silent Night 17164

Silver Threads 17474

Sing Me to Sleep 16196

Sing Me to Sleep 35136

Sleep, Little Baby 17212

Slumber Sea 17212

Southern Lullaby 45174

Sweet and Low 45174

_ _ VICTOR RECORDS

BAKER RECORDS — Continued

dumber

Sweet is True Love 18146 That Sweet Story 1 8287

Two Roses 18044

Voices of the Woods 1 7 121

Duets in which Miss Baker sings

Abide With Me Alabama Moon By and By You Will Canoe Song Come Thou Fount

Drowsy Baby 45200

For Better or Worse I 7882 Indiana Lullaby 45309 Jesus. My All 45314

Jesus My Saviour 45177 Let the Lower Lights 45177 Little Tin Soldier 45251 Maiden in Grey 17475 March^ta 45309

Night Hymn at Sea 18178 O Happy Day 17343

Over the Stars 1 7387

Saviour, Like

a Shepherd 45306 Soldier Rest 18987

That Naughty Waltz 45203 There’s a Corner 4525 I Venetian BoatS 45172 We Would See Jesus 45314 When Twilight 17312 Where Lazy Miss 45252 Whispering Hope 17782 Wonderland 45325

17782

45203

17312

45172

45306

BALALAIKA ORCHESTRA, Russian Imperial Court (Bal-lah-lavee -kah)

The balalaika is a primitive folk instrument with a tone similar to that of a mandolin, formerly much used in Russia. This instrument is a kind of guitar, with only three strings, being made in several sizes, from that of a mandolin to something near a double bass.

BALALAIKA RECORDS (For

Bright Moon 73153

Coquette Polka 73504

Czardas 73089

Lezginka 73210

On Wings of Song 18060

song with Balalaika accompaniment Polonaise 73089

Remembrance of

Gatshina 18060 Russian Dance 73210

Serenade Falet 18058

see “ Solitude )

Song of Volga

Boatmen 73153 Spanish Waltz 73504

Toreador and

Andalouse 18058

BAL COSTUME — See “Toreador et Andalouse’’

BALFE, MICHAEL WILLIAM

Born Dublin, 1808. Violinist at Drury Lane, London, 1824. First baritone, Paris Opera, 1828. First opera was produced in Italy. Married Lina Rosa, Hungarian singer. Wrote 31 operas, including Bohemian Girl, sung in many languages and popular the world over. Wrote many songs in addition. Died 1870, Rowney Abbey, England.

RECORDS OF BALFE S COMPOSITIONS — See “Bohemian Girl,’* “Come Into the Garden, Maud,” “ Excelsior” and “ Killarney ”

BALLADS, OLD TIME— See “Old Time Ballads”

/Ballet Egyptien — Part I (Allegretto) (Luigini) Victor Orchestra) l Ballet Egyptien — Part II ( Andante Sostenuto ) Victor Concert Orch!

BALLET MUSIC — See “Armide,” “Casse Noisette,” “Coppelia,”

“Egyptien,” “Faust,” “Gioconda,” “Naila Intermezzo,” “Orpheus,”

“Sylvia” and “Vespri Siciliani”

Ballet Music from Rosamunde (Schubert) ( Orchestra acc.) Kreisler /Ball in Karlstad — Schottische John Lager-Eric Olson)

l Styrmans — Waltz Accordion Duct John Lager-Eric Olson )

BALLO IN MASCHERA ( Bal-loh een Mahs -keh-rafi) See “Masked Ball”

Ballynure Ballad (2) Next Market Day John McCormack

/Baltimore Buzz — Fox Trot (& “Honeysuckle Time”) Blake and Or) l Bandana Days — One-Step Eubie Blake and Shuffle Along Orchl

{Baltimore Centennial March (Herbert) Conway’s Band)

Patrol of the Scouts ( Boccalari ) Conway’s Band)

BANDA DE ALABARDEROS (Spanish Military Band)

Minuet (Military Symphony) (Haydn) and Samson — Chorus and Bachanal (Bandana Days — One-Step (Intro. “I’m Just Wild”) Blake and Orch) l Baltimore Buzz — Fox Trot Eubie Blake and Shuffle Along Or)

(Band of Gideon Fisk University Jubilee Quartetl

l My Soul is a Witness Fisk University Jubilee Quartetl

18329	10
64670	10
69133	10
64926	10
18791	10
18241	10
62660	10
18791	10
16864	10

.75

1.25

.75

1.25

.75

VICTOR RECORDS

BAND RECORDS (For School Marches see “Educational Records )

NOTE — Complete information about any hand record in this list — such as the full title, composer, flr — can always be found under the title of the selection in its alphabetical place. For contents of Medleys see “ Medleys. ”

Band records for dancing Bostons, Hesitations, Tangos, One-Steps, Maxixes, Waltzes, etc., will be found under “Dance Records”

Adagio — 4th Sym. 35269

Addio a Napoli 16900

Aida — Mch. 35265

Aida Selection 35195

Aloha Oe and Hawaii Ponoi.See “Aloha” America 16137, 17580 America Forever 35112

American Eagle 16089

American Fantasie 35119

American Pat. Airs 16137

American Patrol 16523

America the Beautiful 1 8627 Amina — Serenade 16959

Amou reuse Waltz 17228

Anchors Aweigh 18817

Angel of Love Waltz 16391 Annie Laurie 18177

Arcadians — Melodies 16923 Ark. Traveler 18055, 18331 Arlesienne. L’, Suite 1 7908

Artful ArtieTwo-Step 16021 AtaGa, C’p-mect’g 16402 Attila — Grand Trio 35195 Auld Scotia 35224

Baby’s Sweetheart 17215 Baltimore Centennial 18241 Bartered Bride Over. 35148 Battle of Gettysburg 18339 Battle of the Nations 18121 Battleship Conn. 16113 Bay State Com. Mch. I 7402 Belgium Nat. Air 17668 Believe Me, if All 18145 Ben Hur Chariot R 17110 Blaze Away March 16307 BlueDanube W 1 7228.35289 Blue- White March 18209 Boheme Sel. 35077, 35353 Bohemian Girl

16287. 35081 Bombasto March 16316 Boston Commandery 16817 Boy Scouts of Am. 18209 Bugle Calls of

British 69013. 69014 Bulletsand Bayonets 18752 Canadian Nat. Airs 1 7304 Capitan March, El 17302 Cappa’s 7th Reg. M. I 7080 Caprice Espanol 1 7908 Carmen Sel. 35000. 35610 Cavalleria Rusticana See "Cavalleria” Chicago, We’re True 18382 Children’s Games 35497 Children's Songs 35497 Chimes of Liberty 18952

Chimes of Normandy

16385, 35134 China Nat. Air 67066 Chocolate Soldier Sel 3521 7 Chopin’s Funeral M. 35157 Circie, No. 2 18616

Columbia, Gem 1 7580 Cornin’ Thro’ Rye 17444 Comrades of Legion 18683 Coronation March

35610. 35683 Cosmopolitan Over. 35282 Cossack Grenadier 6962 1

Count of Luxem¬ bourg 36206 Creme de la Creme — 35263 Creole Belles I 7252

Cujus Animan — See “Stabat Mater’’ Czarine Mazurka 16287 Dance of Nymphs 16891 Da nee Records — see “Dance Records”

Danse Macabre 35381 Dansk Potpourri M. 67586 Daughter of Reg 35191 Daughters of Am. 1 7402 Day at West Point 16021 Dead March (“Saul ”) 16980 Dear One 68535

Death of Custer 35028 DeMolay Comman¬ dery 1 8084 Dixie 16819,17583

Don Carlos — March 17133 Dove Waltz 67982

Dream of Wagner 35230 Dream Pictures 35247 Drink to Me Only 181 77 Dying Poet 35467

Evolution of Dixie 35600 Fackeltanz 35505

Fairest of the Fair 16777 Farandole (French) 18368 Farmyard Caprice 17215

Faust — Ballet Music 17284 Faust — Prison Scene 35449 Favorita — Fantasia 35449 Felix Diaz March 35045 Fille de Mme. Angot 65456 Fille du Tambour 65456

Finlandia 35505

First Brigade March 17648 Flatterer 35022

Folks up Willow C’k 17493 Forest Whispers 16113 Forge in the Forest 1 723 1

Fortune Teller Sel. 35224 Forza del Destino

35215, 35512 Fra Diavolo 35109,35191 Frangesa March 16760

Free Lance M. 1 6383

Freischiitz Overture 35000

French National Airs — “See National Airs — France”

French Reel 18600

Froman IndianLodge 17035 From Foreign Parts — Spain 18078

Funeral March

(Chopin) 35157

Funeral March (Beethoven) 35426

Funiculi-Funicula 16899 Gallant Seventh

March 18929 Garde du Corps Mch. 17957 Gate City March 16299 Gen. Mixup, U.S. A. 17142 General Pershing 18607 Gioconda — Prelude 35459 Girl I Left Behind

18055, 18371 Gliding Girl, The 17976 Glory of Yankee

Navy 17229 Golden Star 35709

Golondrina 17515

Good-bye. Dolly 18339

Gotterdammerung —

Siegfried’s March 35369 Guard Mount 16316

Hail Columbia 17581

Hallelujah Chorus 35484 Hands Across the Sea 16190 Happy Days March 16001 Heavens Are Telling 35484 Hiawatha Two-Step 17252 High School Cadets

16200, 35208 Hot Time in Town 18371 Hull’s Victory 18367

Humoresque 16974

Hungarian Rhapsodie,

35122.35352 Illinois Loyalty Mch 18382 In Dreamland Waltz 67982 Inglesina March 16891 In Lovers’ Lane 17227 In the Park March 18017 Invincible Eagle Mch 16273 I talian Patriotic Airs 16136

VICTOR RECORDS

BAND RECORDS — Continued

I talian Riflemen Mch 16796

It’s a Long Way 17651 Ivanhoe — Two-Step 16112 Jack Tar March 16151 Japanese Air 67066

Jewels of Madonna 35356 Jolly Coppersmith 16396 Jolly Fellows Waltz 35161 Jolly General — Mch 35608 Jolly Robbers Over 35077 Juanita (2)01d Folks 18519

Keeping Step-March 18929 Kentucky Kut-Ups 16755

King Christian 67586

King Cotton 16386, 35284 King of Rags 16821

Lambs’ March, 1 7976

Land of the Maple 1 6593 Largo (Handel) 16525

Last Hope, The 35467 Liberty Forever 18471

Liberty Loan March 18430 Light Cavalry Over. 35045 Lights Out 18498,35285 Lincoln Centennial 16299

Lohengrin Selection 35114

Loreley Paraphrase 18078

Love’s Old Sweet S 18177

Lucia Sextette 35356

Madama Butterfly

35148, 35331 Madelon — One-Step 18534 Man Behind the Gun 16395 Manhattan Beach 16383 Manola — Serenade 17785

Maple Leaf Forever 17999 Marche Francaise 18534

Marche Heroique 16980

Marche Indienne 35258

Marche Lorraine 6962 1

Marches — A complete alphabetical list will be found under ‘ ‘ Marches Marche Slave 35167

Marche Turque 18894

March Shannon 17110

Marcia Militaire 35258

Maria, Mari 16900

Marine Corps Insti. 18785

Marriage of Figaro 35109 Marsovia Waltzes

16959, 35112

Martha Overture 35133

Massa’s in de Cold 18519

Medleys — For complete list with contents see “ Medleys ”

Mefistofele — Selec. 35512 Melodious Memories 35600 Memories of War 35525

Merrymaker’s Dance 181 64 Merry Widow Waltz 16024 Messenger — March 18894

(See also “ Dance Records")

Military Escort 1 7368 Minuet (Haydn) 62660 Minuet (Boccherini) 67896 Mirella Overture 68471 Monastery Bells 16397 Montenegro Nat. Air 67067 Moonlight Sonata 35426 Morning in Noah’s

Ark 16955 Morning, Noon and N 35276 Mr. Rooster 16955

My LittleSweetheart 73305 My Md. Fantasia 35028 My Maryland Mch. 17142 My Old Ky. Home 18145 Naila Intermezzo 35134 Napoleon’s Last

Charge 18121

Narcissus 1 6029, 1 6525 National Airs — See

“National and Pa¬ triotic Airs” of the various countries

Nat’l Airs, Allies 35472

Nat’l Capital Mch. 18768 National Emblem

17957, 18498 Naval Reserve March 18360 Nearer, My God

16817, 17848

New Tipperary Mch. 16024 Norma Over 35166

Nutcracker Ballet 16974

Oberon Overture 35 1 66

O Canada 1 7999

Officer of Day 16386, 35284 Old Black Joe 18519

Old Comrades March 17470 Old Folks at Home 18519

Old Zip Coon 18356

One-Steps — See “Dance Records”

On the Campus 18752

On the Wing Galop 17368 Onward Christian

Soldiers 17848, 18627 On Wisconsin March 17781 Orpheus in Hades 35215

Otello — Fantasia 35459

Our Director March

16795, 35204

Overtures — For complete list see "Overtures”

Paderewski Minuet 35152 Paloma 16529

Parisian Polka 18600

Pasadena Day March 17781 Pastoral Dance 18164

Patriotic Medley

35608,35657 Patrol of the Scouts 18241 Peer Gynt Suite 35007 Pere de la Victoire

17712, 67373

Perjura Danza 17515

Pilgrims’ Chorus 16537

Poet and Peasant 16385

Polonaise Militaire 35241

Pomp and Circumstance March 35247

Popular Medleys — See “Medleys ”

Portland Fancy 18616

Pres. Harding March 18768 Prince of Pilsen Sel. 16919

PrivateTommyAtkins I 765 I Puritani — Quartet 68471

Radetzky March 67965

Rainbow Division 18559

Rakoczy March 67965

Regiment de Sambre 17712 Regimental Marches

69009, 69011 Reminiscences Verdi 35230 Repasz Band — Mch 18607 Rhapsodie Hongroise No. 2 See Hun-

Rienzi Overture 35387

Rifle Regiment 18785

Rigoletto — Quartet 35239 Robin Hood — Airs 16919 Romeo and Juliet 35234 Rondo Capriccioso 35265

Rose of Schiras Wal tz 35 1 52 Royal March of Italy 16136 Royal Trumpeters’

16273,35204 Sabre and Spurs Mch 18504

Sagamore March 18952

Samson et Dalila 35234

Sardinia March 17162

Scarf Dance 35022

School Records — For Folk Dances and records for March¬ ing, Calisthenics,

Drills, etc., see Educational”

Second Connecticut 16416

Secret, Le 1 7689

Semiramide Overture 35 167 Semper Fidelis March

16190, 35208 Serbia Nat. Airs 67067 Serenade (Drdla) 17785 7th Regiment

Cappa’s 17080

7th Regiment (Gray

Jackets) 17162

Sextette Lucia — See “Lucia”

Shepherd’s Life 35282 Skater’s Waltz 35119

Skyrocket March 17080 Slavonic Dance 35507 Slidus Trombonus 18117 Sobre las Olas Waltz 16529 Soldiers’ Joy 18331

VICTOR RECORDS

BAND RECORDS — Continued

Soldiers of the King 17639 Solid Men to the

Front 18504

Sorella March 16523

Southerner M 17648,35531 Southern Roses W 16395 Souvenir de Bee¬ thoven 35263

Speed the Republic 18627 Spirit of Indepen¬ dence 18559

Spirit of Peace 35472

Stabat Mater — For several records see "Stabat Mater”

Standard Bearer

16307, 35657

Stars and Stripes

16777, 35709 Star-Spang’d Banner 17581 Stephen Foster,

Gems 35525

Stradella Overture 35276 Sunny South — Med. 16819 Swedish Guard M 16875

{See also “ Dance Records”)

Tales of Hoffmann —

Venetian Scene 35507 Tannhauser — For several records see Tannhauser ”

Tarantella 73305

Tearin’ o’ the Green 17444 Teddy Bears’ Picnic 16001 Tenth Regiment Mchl8017 Thunderer Mch 3553 1,16151 Traumerei 17272

Traviata Selection 35076 Trovatore — Home to Our Mountains 35239 Uncle Tom’s Cabin 17493 U. S. Field Artillery 18430 United States — Pa¬ triotic Airs — See "National Airs” Universal Peace 17229 Unrequited Love 35101 Varsity March 17672

Vespri Siciliani 35434 Victorious America 18084 Victors, The 17672

Vienna Beauties 16522 Volunteers March 18471 Walkiire Sel 35387, 35369 Warbler’s Serenade 17380 Washington Post

17302,35283 Wedding March 35683 Wedding of the Rose 17476 Whispering Flowers 35161 Whistler and His Dog 17380 Whistlers 17396

Whistling Johnnies 17396 White Rose March 18360 Who’s Who in Navy 18683 William Tell — See “William Tell”

W i th Sword and Lance 1 6397

Woodland Whisper¬ ings 35217

Yankee Doodle 17583

Yankee Shuffle 16795

Yelva Overture 35081

Yorktown Centennial 1 88 1 7 Yuletide Medley 35261

BAND AND ORCHESTRA RECORDS — Descriptive — For complete information

regarding titles, artists, numbers, etc., see titles in alphabetical position.

Baby’s Sweetheart Battle of Gettysburg Battle of the Nations Day at West Point Death of Custer Farmyard Caprice

Forge in the Forest Hunt in the Forest In a Clock Store Jolly Fellows Waltz Morning in Noah’s Ark

Napoleon’s Last Charge Nightmare in the Desert Shepherd’s Life in the Alps Teddy Bears’ Picnic Whistler and His Dog

BAND RECORDS FOR CONGREGATIONAL USE — For complete information regarding titles, artists, numbers, etc., see titles in regular alphabetical position.

America, the Beautiful (2)

Stars of Night 18627

Nearer My God to Thee 1 7848

Onward Christian Soldiers (2) Speed the Republic 18627 Onward Christian Soldiers 1 7848

BANDS AND ORCHESTRAS, WITH VOCAL CHORUS — For complete information

regarding titles , artists , numbers , etc., see titles in regular alphabetical position.

Answer

Birds of a Feather College Life March Dangerous Blues Frangesa March Funiculi Funicula Glow-Worm — Idyl Glow-Worm Intermezzo In a Monastery Garden

In My Tippy Canoe

Jolly Coppersmith

Kisses (In Fox Trot Tempo)

Madelon — One-Step March

Mammy’s Lullaby — Waltz

Mary — Fox Trot

Mazie — Fox Trot

Mickey

Mimi — Fox Trot

Peggy — Medley Fox Trot Royal Garden Blues Smiles — Fox Trot St. Louis Blues .

Tell Me — Fox Trot Till We Meet Again — Waltz Vamp, The — Fox Trot Yoo-Hoo — Fox Trot

BANDS WITH WHISTLING CHORUSES— See “Whistling”

BANDURRIAS AND GUITAR — See “ Santiago”

BANJO ACCOMPANIMENT, RECORDS WITH — For information regarding titles, artists, numbers, etc., see titles in regular alphabetical position.

Darky’s Oration on Woman Insect Powder Agent Pickin’ Cotton

Darky Waiters Love-Sick Darky Trip to Paradise

Death of Towser Matrimonial Difficulties

BANJO, MANDOLIN, GUITAR - See “Instrumental Duets, Trios”

VICTOR RECORDS

Number ] £ j § £

BANJO ORCHESTRA — Banjo, Piano, Drums or Saxophone (For Dancing)

I Wonder What Will I Original Fox Trot 17677 I Razzberries 18376

Wra. Tell 17799 I I

BANJO SOLOS — By Vess Ossman, Fred Van Eps, F. J. Bacon and “Eddie Ross”

Buffalo Rag 16779

Bunch of Rags 1 6667

Cupid’s Arrow 16855

Daly’s Reel 18116

Dance of the Bugs 1 7834

Four Little Blackber¬ ries 16488

Frolic of the Coons 1 7369

Gay Gossoon 16092

Infanta March 16847

Keep Off the Grass 16266 Lamb’s Gambol 17457 Lobsters’ Promenade 17033 Medley of Southern Melodies 18116

Old Folks at Home 17417 Pearl of the Harem 1 6969 Ragging the Scale 18085 Rag Pickings 16934

Red Pepper 1 7033

Ross’ DogTrot 18815 Ross’ Double Shuffle 18926 Ross’ Juba 18926

Ross’ Reel 1 88 1 5

Silver Heels 16266

Turkey in the Straw 16390 Way Down South 16755 W est Lawn Polka 17129

(Banjo Song - Negro Dialect Poem l Roll Jordan Roll	(Dunbar) Rev. J. A. Myers)	16466	10
Fisk University Jubilee Quartet /
Banjo Song, A (Weeden-Homer)	Louise Homer	87074	10
Banjo Song (Weeden-Homer) Mme. Homer-Mme. Homer Stires BARBAINI, AGUSTO, Tenor {Bahr-bah-ce' -nee) — See “Pagliacci”	87572	10
(Barbara Allen (Hatton-Faning)	Royal Dadmunl	45310	10
1 O No, John {Farnsworth- Sharp)	Royal Dadmun)

.75

1.25

1.50

1.00

BARBIERE DI SIVIGLIA ( Bahr-beay' -reh dee See-veel'-yah )

The plot of Barber is very simple. Count Almaviva loves Rosina, the ward of Dr. Bartolo, a crusty old bachelor, who secretly wishes to marry her himself. Almaviva persuades the village barber, Figaro, to arrange a meeting for him, and gains entrance to the house disguised as a dragoon, but is arrested by the guardian. Not discouraged, he returns, pretending to be a substitute for Rosina ’s music teacher, who, he says, is ill. The appearance of the real music master, Don Basilio, spoils this plan, and the Count retreats for the second time, having, however, arranged a plan for elopement. Bartolo finally arouses Rosina j jealousy by pretending that the Count loves another, and she promises to forget him and marry her guardian. When the time for the elopement arrives she meets the Count, intending to reproach him, but he convinces her of the base plot of Bar¬ tolo, and the lovers are wedded by a notary, just as Bartolo arrives with offi¬ cers to arrest the Count. The opera by many is considered Rossini’s masterpiece.

(For complete description, with many illus¬ trations, see the Victrola Book of the Opera.)

BARBER OF SEVILLE RECORDS (/„ Italian)

THE FAMOUS SHAVING SCENE IN ACT II

ACT 1 - Scene I - A STREET IN SEVILLE

Overture Accordion and Romeo and ] uliet Selection — Accordion — Pietro

Largo al factotum (Room'for the Factotum) Titta Ruffo

Largo al factotum (Room for the Factotum) Pasquale Amato

Largo al factotum (Room for the Factotum) de Gogorza

Largo al factotum (Room for the Factotum) de Luca

35524	12
88391	12
88329	12
88181	12
74514	12-

1.25

1.75

_ VICTOR RECORDS

BARBER OF SEVILLE RECORDS— Continued.

Number

<U

OO

ACT 1 — Scene II — room in bartolo’s house

Una voce poco fa (A Little Voice I Hear)

La calunnia (Slander’s Whisper)

Barcarolle — Tales of Hoffmann (For records see

Marcella Sembrich Luisa Tetrazzini Amelita Galli-Curci Marcel Journet Feodor Chaliapin

88097

88301

74541

74104

88648

“Tales of Hoffmann”)

12

1.75

(Barcarolle — Waltz Hesitation (See “Medley No. 44”) Military B1 l Passing of Salome — Waltz Hesitation {Joyce) Victor Military Band)

Barcarolle — See also “ Gioconda,” “ Gondolier,” “ Masked Ball,” “My Skylark Love,” “ Visione Veneziana” and “ William Tell”

Barefoot Trail (Marion Phelps- Alvin S. Wiggers) John McCormack

BARIT ONE SOLOS See” Amato, ”“Battistini,”"Campanari,”“ Cart¬ wright,” “ de Gogorza,” “ de Luca, ” “Gilibert,” “Hamilton,” “Har¬ rison,” "Hemus,” “Janpolski,” “MacFarlane,” “ Renaud,” “Rode- heaver,” “Ruffo,” “Scotti,” “Turner,” “ Werrenrath,” “Wheeler, Frederick,” “ Whitehill,” “Zanelli.” Also several hundred solos by various baritones, to be found under the opera headings.

{Barnyard Serenade (with animal imitations) Spencer and Holtl The Buffalo Rag ( Turpin ) (Piano acc.) Banjo Ossman)

BARONE, CLEMENT (Bah-roh' -nee) — See “Chant du Rossignol” f Bartered Bride Overture ( Prodana Nevesta) (Smetana) Pryor’s B1 l Madama Butterfly — Selection ( Puccini ) Pryor’s Band)

35383

64878

16779

35148

12

10

12

1.25

.75

1.25

BARTON, WARD — Yodels with Guitar, assisted by Frank Carroll

Hawaiian Love Song 17965 I Sleep. Baby, Sleep 17965

Rock-a-Bye Baby 18035 I When the Moon 18035

BASEBALL RECITATIONS — See “Boy in Bleachers” and “Casey”

BASS AND BASSO PROFUNDO SONGS— See “Chaliapin,”

"Cowles,” “Glenn.” “Hooley ” “Journet,” “Plan9on,” “Stanley.” “Whitehill” and “Witherspoon”

BASSOON SOLO — See “Hungarian Fantasie” (Record in which the Bassoon is prominent, “ Dance of the Wood Nymphs,” 16891)

BATTIS, WM. STERLING — Dramatic Reader and Character Impersonator

William Sterling Battis is justly considered the greatest American interpreter of the writings of Charles Dickens. For several years he has been a great attraction in Lyceum and Chautauqua work, his special feature being the presentation of “Life Portrayals” of Dickens’ characters in complete costume, with appropriate monologues arranged from the novel in which each character appears. These impersonations are given with great faithful¬ ness as to voice, dialect and mannerisms, exactly as the great novelist describes them. In addition to a wide experience on the stage, Mr. Battis has had exceptional advan¬ tages as a student and teacher of rhetoric in some of the best-known schools.

BATTIS RECORDS

American Flag 35692

Call to the Colors 18297

Capt’n Cuttle 35616

Columbus 35653

God Give Us Men 35653

How Tom White¬ washed 35563

Landing of Pilgrims 35653 Meaning of Our Flag 18297 Micawber 35556

Name of Old Glory 35692 Our Guide in Genoa 35563 Paul Revere’s Ride 35555 Rising of ‘76 35555

Scrooge — Marley’s

Ghost 35566 Scrooge — Ghost of

Christmas 35567 Squeers, the School

master 35616 Uriah Heep 35556

BATTISTINI, MATTIA, Baritone — See “ Battistini ’’ in Pink Section

Battle Cry of Freedom (George F. Root)

By Edward Hamilton (Baritone) with Orpheus Qt. and Hail Columbia —

Dixon miih Ql. 18316 10

By Raymond Dixon (Tenor) and Song of a Thousand Years (Work) Dixon 175821 10

.75

{

_ _ VICTOR RECORDS _

Battle Hymn of the Republic (Howe) Werrenrath)

Columbia, the Gem of the Ocean Lambert Murphy and Orpheus Qt) Battle Hymn of the Republic (Air “John Brown’s Body ”) (2) My

Old Kentucky Home (For School Singing) Victor Band

Believe Me, If All Those Endearing Young Charms ( 2 ) Home, Sweet Home ( School and Community Singing) V ictor Band)

Battle of Gettysburg (Descriptive March) (Pauli) Conway’s Bandl Good-bye, Dolly Gray — March Conway’s Band)

Battle of Killiecrankie (2) Will Ye No Come Sutcliffe Troupe) Scotch Medley March Bagpipes and Drums Sutcliffe Troupe)

Battle of Stirling (Scotch Ballad) (Sinclair-Chisholm) Murray) Wi’ a Hundred Pipers (Scotch Ballad) Farquhar Murray)

Battle of the Nations (Descriptive March) (Pauli) Conway’s B) Napoleon ’s Last Charge Conway ’s Band)

Battleship Connecticut March (Fulton) Pryor’s Band)

Forest Whispers ( Losey ) Pryor’s Band)

number	Size	2 e — J 0.
45121	10	1.00
18145	10	.75
18339	10	.75
17140	10	.75
18265	10	.75
18121	10	.75
16113	10	.75

BATTLE SONGS — See “National and Patriotic " and “ War Songs”

BAVARIAN HIGHLAND ZITHER TRIO

Hunter’s Greeting and My Heart’s Delight Zither Trio

73078

10

.75

BAYES, NORA

Nora Bayes, with her inimitable foolery and clean fun, her admirable imitations and clever and witty songs, became in a very short time one of the greatest favorites on the American stage, and she continues to hold the attention as well as the admiration of her audiences — through sheer talent.

Miss Bayes is the life of every production with which she is connected, and gives a zest to every moment she is on the stage. This talented artist has sung for the Victor some of her greatest successes and the records are among the most entertaining in the catalogue.

BAYES RECORDS

COPY*! IRA L. HILL'S STUDIO, N.Y.

BAYES

Broken Doll 45136

Daniel in the Lion’s Den 45123

For Dixie and U. S. 45100

Homesickness Blues 45 1 00 How Can They Tell 55101 Please Keep Out of My Dreams 45 1 36

Pull the Cork Out of Erin 45123

What Good is Water 55101

{

Bay State Commandery March (Burrell) Conway’s Bandl

Daughters of America March (Lampe) Conway’s Band)

Beale Street Blues — Fox Trot (Handy) Fuller’s Famous Jazz B1 Old Grey Mare — Fox Trot Earl Fuller’s Famous Jazz Band)

Bear Story — That Alex Yist Maked Up His Own Se’f — Parti — Humphrey ) Bear Story — Part II (James Whitcomb Riley ) Harry E. Humphrey) Beau Soir (A Beautiful Evening) (Bourget- Debussy) 7n French de Luca Beautiful Annabelle Lee (Bryan-Mehlinger-Meyer) Hart-Shawl Louisiana (Freed- Wallace) Sterling Trio)

Beautiful Days Waltz (Bei giorni) Accordion Pietro)

Sharpshooters March (Bersaglieri) (Metallo) Accordion Pietro) Beautiful Hawaii — Waltz (Mary Earl) Guitars Ferera-Franchini) Hawaiian Twilight— -Fox Trot (Sherwood) Hawaiian Trio)

Beautiful Helen, The Petru Laicu and His Orchestral

Ring Dance from Bucovina Petru Laicu and His Orchestra)

17402	10
18369	10
35378	12
64934	10
18726	10
17551	10
18689	10
73494	10

.75

1.25

.75

Number	f-J *7)	to J-j — ) a.
64411	10	1.25
64428	10	1.25
16700	10	.75
16008	10	.75
35259	12	1.25
64817	10	1.25
45161	10	1.00
18526	10	.75
16563	10	.75
64372	10	1.25
87122	10	1.25
64133	10	1.25
64430	10	1.25
64970	10	1.25
45323	10	1.00
64279	10	1.25
17473	10	.75
64076	10	1.25
18446	10	.75

VICTOR RECORDS

Beautiful Isle of Somewhere (Mrs. J. B. Pounds-J. S. Fearis)

By Evan Williams (Tenor)

By John McCormack (Tenor)

By John B. Wells (Tenor) and Dear Lord and Fathei — Mr. and Mrs. Wheeler By Harold Jarvis (Tenor) and Christ Arose (Lowry) Hayden Quartet

(Beautiful Isle of the Sea (Cooper-Thomas) Frank Coombs)

l Till the Sands of the Desert Grow Cold ( Graff -Ball ) Alan Turner)

Beautiful Ohio — Waltz (Mary Earl) Violin Kreisler

(Beautiful Ohio Olive Kline-Marguerite Dunlap)

l Dear Little Boy of Mine ( Brennan-Ball ) Elsie Baker)

(Beautiful Ohio — Waltz (Mary Earl) Waldorf-Astoria Dance O)

1 Till We Meet Again — Waltz ( Vocal Cho .) Nicholas Orlando’s O)

(Beautiful Valley of Eden (Sherwin) Mr. and Mrs. Wheeler)

l The New Born King ( L ’ Espoir ) Hamilton Hill >

Beauty’s Eyes (Weatherly-Tosti) Emilio de Gogorza

Because (Edward Teschemacher-Guy d’Hardelot)

By Enrico Caruso (Tenor) In French By Evan Williams (Tenor)

By John McCormack (Tenor)

Because You’re Here (Robe-Gitz Rice) Edward Johnson

(Becky is Back in the Ballet (Merrill-Edwards) Brice)

l Sheik of Avenue B {Kalmar- Ruby -Friend-Downing) Brice)

Bedouin Love Song (Pinsuti) Clarence Whitehill

(Bedouin Love Song (Pinsuti) Alan Turner)

l In Old Madrid ( Bingham-Trotere ) Frederick Wheeler)

Bee, The (Schubert) (2) Minute Waltz (Chopin) Violin Maud Powell

(Been a-Listenin’ (2) Good Lord, I Done Tuskegee Singers)

l I Want to Be Ready {2) Get on Board Tuskegee Institute Singers)

BEETHOVEN, LUDWIG VAN {Bay -toh-ven) (1770-1827) Born Bonn, Germany, 1 770. Began study of music at age 4. Played at concert at 8. Began composition at 10, writing a cantata and “nine variations.” Assistant to concert organist at II, at 12 conductor of Court Opera Orchestra (without pay!). When 14 was granted a salary of 150florins (about $80 a year!). In 1787 made first visit to Vienna, a great event for the boy. Compositions not important until 1 795, but from then to his death wrote 260 works. Only opera, Fidelio, produced Vienna, 1805.

Beethoven’s influence on art of music very great and can hardly be estimated. He died March 26, 1827 ; buried in Vienna.

BEETHOVEN

RECORDS OF BEETHOVEN COMPOSITIONS — See “Symphonies,” also “Adagio,” “Chorus of Dervishes,” “Coriolan Overture,” “Cottage Maid,” “Country Dance,” “Egmont Overture,” “Fidelio,” “Funeral March,” “Heavens Resound,” “In questa tomba oscura,” “Ivy Green,” “Leonore,” “Menuett,” “Minuet,” “Moonlight Sonata,” “Quartet in C Major,” “Souvenir de Beethoven,” and "Turkish March”

Before the Crucifix (Wrede-La Forge) English Schumann-Heink

Behind Your Silken Veil — Medley Fox Trot Yerkes Jazzarimba O)

Roses at Twilight — Medley Waltz Yerkes Jazzarimba Orchestral

Behold and See — “Messiah” (Handel) Evan Williams

BELGIUM — Patriotic Airs — See “National and Patriotic”

88548	12
18636	10
74126	12

1.75

.75

1.75

Number	TT <Si	to « -J ex.
64180	10	1.25
87025	10	1.25
16401	10	.75
17416	10	.75
17871	10	.75
18145	10	.75
55153	12	1.50
73111	10	.75
18644	10	.75
64844	10	1.25

VICTOR RECORDS

Believe Me, If All Those Endearing Young Charms

Moore — Sir J. Stevenson)

By John McCormack (Tenor)

By Geraldine Farrar (Soprano)

By Elizabeth Wheeler (Soprano)

By Wm. Place, Jr. Mandolin By Samuel Gardner Violin

(Thomas

and Sally in Our Alley — Whitney Qt and Annie Laurie — Harp — Chas. Schuetze and Last Rose of Summei — Gardner By Victor Band and My Old Kentucky Home — Victor Band

(Bella McGraw (Back to Where the Heather Grows) Lauder)

l Waggle o ’ the Kilt ( Lauder ) Sir Harry Lauder )

BELL, D1GBY, Comedian - See “ Man Who Fanned Casey ”

BELL EFFECTS — Records with. See “Chimes,” “Florentine Quartet “Neapolitan Trio” and “Venetian Trio”

(Belle of the North (Nortena) Mexican Song Intern’!. Orch.)

l White Race ( Raza Blanca) Fox Trot International Orchestra)

{Bell Hop Blues (Goodman- Piantadosi) A1 Bernard)

You Know What I Mean ( Dubin-Rath ) Al Bernard )

BELLINI, VINCENZO ( Bel-lee -nee) (Catania, Sicily, 1801; d. Puteaux, near Paris, 1835.) Italian Opera composer — See “Norma,” “Puritani” and “Sonnambula”

BELLS OF CORNEVILLE - See “ Chimes of Normandy”

Bells of St. Mary’s, The (Furber-Adams) Frances Alda

BELL SOLOS (Orchestra Bells) For Chimes see “ Ch

Black Forest Polka 16538 Boulanger March 16659 Brightest Days

Gavotte 1 6428

Cupid’s Garden 18018

Dance California I 7357

Heather Bells 17178

Little Flatterer 17337

Menuett (Gluck) 17917 Spoontime Two-Step 17337

BELMONT, JOSEPH — Whistler

Arrival of Robins 16094

Birds and Brook 16052

Blue Jays 17891

Cricket’s Serenade 17521 Danceof Honey Bees 16175 Dance of Song Birds 17521

Sunbeam Dance

Robin Red Breast Whistle While You Walk

Beloved, It is Morn (E. Hickey-F. Aylward Evan Williams

Ben Bolt (Dr. Thomas Dunn English-Nelson Kneass)

By John McCormack (Tenor)

By Elsie Baker (Contralto) and Annie Laurie — Elsie Baker

By Elsie Baker (Contralto) and The Old Brigade — Macdonough-Stanley

Bendemeer’s Stream (Moore — Arr. by Gatty) Julia Culp

Beneath the Moon of Lombardy (Lockton-Craxton) McCormack (Ben Hur Chariot Race March (Pauli) Sousa’s Band)

\ March Shannon — Irish Novelty ( Willis ) Pryor’s Band)

(Benny Havens, Oh ! (West Point Song) American Quartet)

l Army Blue (West Point Song) American Quartet)

74404	12
64433	10
16388	10
35162	12
64720	10
64962	10
17110	10
17500	10

BENSON ORCHESTRA of

Ain’t We Got Fun 18757

Angel Child 18870

Biddy 18718

Bimini Bay 18824

Birdie 18937

Black Eyed Blues 18874

Crooning 18765

Deedle Deedle Dum 18917

Do I? 18954

Don’t Bring Posies 18931

Fair One 18697

Chicago

I’d Love to Fall

Asleep 1 8697 I’ll Keep on Loving 18765 I Love You Sunday 18701 In Bluebird Land 18871 It Must Be Someone 18804 June Moon 18833

Just Like a Rainbow 18823 Little Thoughts 18912 Ma One-Step 18819

My Mammy Knows 18870

My Sunny T enn. Na-Jo — Fox Trot No One’s Fool Oh Geel Oh Goshl One Kiss — Fox Trot On the Alamo Oogie Oogie Wa Wa Railroad Blues San — Oriental Fox T Say It While Dancing Scandinavia

16678

16094

17891 1.75

1.25

.75

1.25

.75

18819

18779

18833

18701

18823

18931

18917

18850

18779

18938

18757

_ VICTOR RECORDS

BENSON ORCHESTRA RECORDS— Continued

Somebody 18718

Stuttering 1 8948

Swanee Bluebird 18924

Tee-Pee Blues 18874

T en Little Fingers 18871

Those Longing Blues 18948 Toddle 18756

Toot, Tootsie 18954

| Number | J|§ g,

Tuck Me to Sleep 18820

V enetian Love Boat 1 8868

Virginia Blues 18868

Wabash Blues 18820

BENSON ORCHESTRA OF CHICAGO

Berceuse (Chopin, Opus 57) Pianoforte Alfred Cortot

fBerceuse (Chopin, Opus 57) Pianoforte Frank La Forge 1

l Les Sylvains (The Fauns) (Chaminade, Op. 60) Frank La Forge)

Berceuse (Juon) (2) Valse du Ballet Raymonde Violin Heifetz

fBerceuse (Jamefelt) Victor Concert Orchestral

l Praeludium ( Jamefelt ) Victor Concert Orchestra)

Berceuse from Jocelyn (Benjamin Godard)

By Alma Gluck (Soprano) In French

By John McCormack (Tenor) and Fritz Kreisler

By Edmond Clement (Tenor) In French

By Kline-Dunlap- Wheeler and Blow, Trumpet — Orpheus Quartet

By Victor Sorlin ' Cello and IVed ding of the Winds — IValtz — Pryor ’s Band By Venetian Trio Violin-’ Cello-Harp and Humoresque — Venetian Trio

By Victor Orchestra and Melody in F ( Rubinstein ) Florentine Quartet

By Rosario Bourdon ’Cello and Sweet Longings — Railay-Barone

fBerceuse (Lullaby) (Renard, Op. 20) Violin Sascha Jacobsonl l Traumerei (Schumann, Op. 15, No. 7) Violin Sascha Jacobson)

Berceuse — Mignon (Thomas) In Italian Marcel Journet

Berceuse (Lullaby) (Townsend) Violin Fritz Kreisler

Berceuse Romantique (Slumber Song) (Kreisler) Violin Kreisler

Berceuse Slave (Neruda, Opus 11) Violin Maud Powell

BERG, ERIC — Accordionist

Life in the Woods and On Heel

BERGER, MME. KITTY— Harp-Zither

Fisher Boy (Abt) and Heather Bells ( Losey ) — Reitz

Bergere Legere (2) L’adieu du Matin French Edmond Clement

74623	12	1.75
55031	12	1.50
74660	12	1.75
18323	10	.75
74369	12	1.75
89106	12	2.00
64233	10	1.25
35581	12	1.25
16387	10	.75
17454	10	.75
16696	10	.75
35700	12	1.25
17385	10	.75
74270	12	1.75
64319	10	1.25
64565	10	1.25
64027	10	1.25
73175	10	.75
17178	10	.75
64223	10	1.25

VICTOR RECORDS

BERLIOZ, LOUIS HECTOR ( Bair-k-ohz ) La Cote St. Andre, near Grenoble, 1803; d. Pans, 1869. French composer and writer on music. Profoundly affected the art of orchestration. Was considered with Wagner and Liszt, a pioneer in the “romantic” movement in the middle of the nineteenth century. See “Carnival Romain” and “Damnation.”

BERNARD, AL — Comedian

You Know What I Mean and Bell Hop Blues — A l Bernard

BERNARD, BARNEY— Hebrew Dialect Comedian

Cohen at Telephone and Goldstein Goes in Railroad Business — Barney Bernard BERNARD, RHODA — Hebrew Dialect Songs

Cohen Owes Me Ninety-Seven Dollars and Nat’an — Rhoda Bernard

BESALU, B. — See “Cavalleria Rusticana”

BESANZONI, GABR1ELLA — Contralto (See “Besanzoni” in Pink Section)

Best Ever — Medley One-Step (Ponchielli-Macbeth) Whiteman’s Or (Introducing "Dance of the Hours" and "Love in Idleness”)

Avalon — Medley Fox Trot Whiteman and His Orch

/Beulah Land (Sweeney) Hayden Quartet)

l Vesper Service - — Favorite Hymns, Chimes and Doxology Hayden Qt /

BEYLE, LEON, Tenor— See "William Tell ”

(Beyond the Smiling and the Weeping (Stebbins) Peerless Qt l Softly Now the Light of Day {Goltschalk) Mr. and Mrs. Wheele

BIBLE READINGS

Bible Reading — Luke 2 18086 | Twenty-third Psalm and Lord’s Prayer 16362

/Biddy — Fox Trot (Zamecnik) Benson Orchestra)

Somebody — Medley One-Step Benson Orchestral

Bid Me Good-Bye (Weatherly-Tosti) Sophie Braslau

BILLING, JOHN — See “Only a Beam” and “Saved by Grace” also “American Quartet”

BIESE, PAUL, AND HIS NOVELTY ORCHESTRA

Mystery! 18647 1 Oh|— Medley 18647 | When You're Alone 18662

/Big Bass Viol (Bohannon) Stanley and Peerless Quartet)

Epitaphs, or Two Darkies in a Cemetery Golden and Hughes]

BIGGS, RICHARD K. — See “Organ Records”

/Bimini Bay — Fox Trot (Kahn-Egan- Whiting) Benson Orchestra)

Canadian Capers — Fox-Trot {Chandler-White-Cohen) Whiteman’s Or]

!3

t

Number

18644

18029

18023

35701

16166

16500

18718

64541

10

12

10

75

.75

1.25

75

.75

1.25

\

16507

18824

10

.75

BINGHAM, RALPH — Entertainer

This popular entertainer was born in Richmond, Va., in 1870, and made his first appearance in public in 1876. He has now been many consecutive years before the public, and has made ten thousand appearances on the American Continent. Says his silver-tongued publicity agent: “Six hundred towns in Uncle Sam’s domain have given him, each, five to eight audiences, in repeated recognition of his unequaled artistic and natural accomplishments, skillful platform methods and his inimitable public demonstrations of wit, wisdom, humor, poetry, sentiment, tragedy, music, melody, drollery and mirth.” Certainly we can’t add anything to that !

BINGHAM

BINGHAM RECORDS

Boy in the Bleachers 35490 Brother Jones’ Sermon 18587 Goldstein Behind

the Bars 1 823 1

Jests from Georgia 17818 My Possum Hunt 35490 Mrs. Rastus at the

Telephone 17818

Mrs. Rastus Johnson

at the Wedding 18231 Mrs. Rastus John¬ son's Joy Ride 18587

VICTOR RECORDS

(Bird Chorus, The — Bird Voices Charles Kellogg"!

I How Birds Sing {Talk with bird examples) Charles Kellogg]

/Birdie — A Sweety-Tweety Fox Trot Benson Orchestral

l Truly — Fox Trot (Rose) Whiteman and His Orchestra)

Bird of the Wilderness (Tagore-Horsman)

Alma Gluck

Number	V p*J C/5	List prc.
64751	10	1.25
45163	10	1.00
18937	10	.75
64591	10	1.25

Effects — See also “Mocking Bird,” “Nightingale” and

BIRDS — Records With Bird “Whistling Records"

Amoureuse Valse 45061 Arrival of the Robins 16094 Barnyard Serenade 16779 Bird Chorus 45 1 63

Cricket’s Serenade 17521 Dance of Honey Bee 16175 Dance of Song Birds 17521 Flower Song 45 1 07

Humoresque 45061

fBirds and the Brook (Stults) Whistling by Belmont Victor Orchl l In Venice ( Rubens ) Whistling Margaret McKee)

fBirds in the Forest (Strange) Violins-Flute Rattay-Witzmann-Baronel l Ah l Cupid ( Herbert ) Cornet Herbert L. Clarke )

fBirds of a Feather — Fox Trot ( Vocal Chorus) All Star Trio-Or

Hunt in the Forest In a Bird Store In the Land of Love Jingles from the

Marsh Birds Lark, The Liebesfreud Narcissus Pas des Amphores

35324

35659

17721

45117

74582

45093

45085

45093

Leave Me With a Smile — Fox Trot (Koehler- Burtnett) All Star Trio

fBirds of the Forest Gavotte (Adolfo) Whistling Gialdinil

l Spring Voices ( Friihlingssiimmen ) ( Strauss ) Whistling Gialdini)

Birds of the Forest — Valse d’oiseau (Varney) In French Arral

Polish Dance Polish Dance Robin's Return Serenade Spring Song Sylvia Ballet Valse d’oiseau Woodland Whis¬ perings

16052

16296

18834

16835

64099

45107

45113

18019

45085

18019

45113

64099

35217

i-Orl

r’o-Oi

.75

1.25

BIRD SONG RECORDS — Actual Songs of Birds

Nature-lovers throughout the world rejoiced in the Victor announcement of reproduc¬ tions of the actual notes of the loveliest of bird singers — the thrush, nightingale and sprosser or “ field nightingale.” The Victor’s first nightingale record created a sensation and, encouraged by the success of this record, further experiments were made, resulting in greatly im¬ proved methods of recording bird voices. Not only were new nightingale records made, but the song of the thrush, sprosser and canary recorded. The thrush has a lovely song, and will rival the nightingale in popularity. The sprosser’s song is more rhythmic than the nightingale proper, and of greater volume.

ACTUAL BIRD SONGS

Song of a Nightingale, No. 2 and Song of a Thrush 45057 10 I .00

Song of a Sprosser (Called “ Field Nightingale ’’) and Canary -Thrush Duet 45058 10 1.00

BIRD SONGS, REPRODUCTIONS OF— See also “ Kellogg ”

Songs and Calls of Our Native Birds — No. 3 Charles Gorst

(1) American Robin (2) Killdeer ' (3) Blue Jay (4) Bluebird (5)

Wood-thrush (6) Yellow-billed Cuckoo (7) Mockingbird Songs and Calls of Our Native Birds — No. 4 Charles Gorst

( 1 ) Kentucky Cardinal or Redbird (2) Oven-Bird (3) Red-Eyed Vireo (4) Baltimore Oriole (5) Mourning Dove (6) Western Meadow Lark

17735

10

.75

BISHOP, SIR HENRY ROWLEY (1786-1855)

Born London. Wrote many operas, including “Clari,” which contained air, “Home, Sweet Home”; popular songs and other compositions, including music for public events. Knighted 1842. See “Echo Song,” “Home, Sweet Home,” “Lo, Here the Gentle Lark,” “My Pretty Jane,” “What Shall He Have Who Killed the Deer.”

VICTOR RECORDS

Number ;l|Sg

BIZET, GEORGES (1838-1875) ( Bee-zay ') Compositions by

Born Paris, 1838. Entered Conservatoire, 1848. Awarded Prix de Rome, 1847. First opera Don Procopio, produced in Rome.

Others Pasco, 1863; Jolie Fillc de Perth, 1867; Djamileh, 1872.

Married daughter of Halevy, the composer. His master work is Carmen, produced three months before his death, and now probably most popular of all operas (except Faust). Other works comprise Pearl Fishers, L’Arlesienne, many songs, overtures and orchestral suites. Died Bougival, near Paris, 1875.

BIZET RECORDS— See “Agnus Dei,” “Arlesienne,’’ “Carmen,’’

“Jolie Fille de Perth,” “Ouvre ton coeur,” “Pearl Fishers” and “Spani (Black Eyed Blues — Fox Trot (Kendall) Benson Orchestra)

1 Tee-Pee Blues — Fox Trot ( Erdman ) Benson Orchestra)

(Black Forest Polka Bell Solo Albert Miiller)

l The Mocking Bird — Variations ( Winner ) Violin John Taylor) Blacksmith, The (Mozart) S ee “ Educational Records”

Blake, Eubie — and His Shuffle Along Orchestra — See “Baltimore Buzz” and “Bandana Days.”

{Blaze Away March (Holzmann) Accordion Sousa Medley March Accordion (Blaze Away March (Holzmann) l Standard Bearer March ( Fahrbach )

Bless You (D. Furber-I. Novello)

(Blest Be the Tie that Binds (Nageli) l Jesus Christ is Risen Today (Warden)

(Blood Lilies — Two-Step (Pryor) Xylophone l The Lamb ’s Gambol ( Eccentric Dance) ( Bendix )

Bloom is On the Rye (My Pretty Jane)

Blossom Time (Donnelly-Berte-Romberg)

Tell Me Daisy Reinald Werrenrath

Serenade — Murphy-Orpheus Qt and Song of Love — Marsh-Dadmun

Medley Waltz (See “Medleys”) Smith’s Or and It’s You — Fox T Smith’s O (Blowing Bubbles All Day Long — Fox Trot Whiteman’s Orchl l Just as Long as You Have Me— Fox Trot Whiteman’s Orch )

(Blow Trumpet, for the World is White ( with Brass Qt) Orpheus Qt) l Berceuse from Jocelyn Kline-Dunlap- Wheeler)

(Blue — Fox Trot (Lou Handman) The Virginians)

l Why Should I Cry Over You ? — Fox Trot The Virginians)

(Blue and the Gray (Finch) Memorial Day Poem Humphrey)

l Sleep, Noble Hearts (Memorial Song) (Mendelssohn) Lyric Quartet)

BLUE AND WHITE MARIMBA BAND

Columbia Waltz 17928 1 Marimba March , 17928 | My Isle of Dreams

(Blue Bells of Scotland (Arr. by Himmelreich) Himmelreich)

l Last Rose of Summer Pianoforte Ferdinand Himmelreich )

Blue Bells of Scotland — See also “ Cosmopolitan Overture” and “ Songs of Scotland ”

(Blue Bird (Geo. Graff, Jr.-F. B. Grant) Elizabeth Spencer)

l If You Look *n Her Eyes (From “Going Up”) E. Spencer-Burr) (Bluebird, The (Clare Kummer) (Flute ohb.) Elsie Baker)

l A Little Birch Canoe and You Olive Kline and Orpheus Quartet)

Blue Bird — See “ Educational Records” •

Pietro) Pietro) Pryor’s Band) Pryor’s Band) Frances Alda Trinity Choir) Hayden Quartet) Wm. H. Reitz) Banjo Van Eps) Evan Williams

BIZET
sh Sere	nade.”
18874	10	.75
16538	10	.75
17921	10	.75
16307	10	.75
66027	IU	1.25
16178	10	.75
17457	10	.75
74254	12	1.75
66032	10	1.25
45304	10	1.00
18827	10	.75
18960	10	.75
35581	12	1.25
18933	10	.75
17310	10	.75

18716

18305 10

18452

45156

10

.75

1.00

_ VICTOR RECORDS _

Blue Danube Waltz (Johann Strauss)

By Philadelphia Orchestra

By Victor Dance Orchestra and Angel of Looe Waltz — Pryor's Band

By Pryor's Band and A mou reuse Waltz ( Berger ) Sousa’s Band

By Sousa’s Band and Southern Roses Waltz ( Strauss ) Pryor’s Band

By Hurtado Bros. Marimba Band and Southern Roses W altz — Marimba Band

Blue Diamonds (Jack Caddigan-Chick Story) Henry Burrl

Love Nest ( from “Mary”) ( L . A. Hirsch) John Steel)

Blue Jay and the Thrush Murray, Harlan and Belmont 1

Whistle While You Walk Billy Murray-Joseph Belmont)

Blue Jeans (Harry D. Kerr-Lou Traveller) Peerless Quartetl

Wyoming ( Lullaby ) (Go to Sleep My Baby) ( Williams) Harl-Shaw)


Number	r-J C/5
74627	12
16391	10
17228	10
35289	12
35564	12
18676	10
17891	10
18740	10

if

1.75

.75

1.25

.75

BLUE LABEL RECORDS

(All records with numbers beginning 45 and 55 thousand are Blue Label Records.) For complete list of records see the following artists, whose records are placed in this class :

Alcock	Coates	Hinkle	Lemmone	Rosenblatt
Althouse	Dadmun	Hitchcock	MacFarlane	Royal Albert
Baker	de Greef	Holmes	Marsh	Hall Or.
Bayes	de Gregorio	JOrn	Metropolitan Cho. Salvi
Beyle	Dufranne	Kellogg	Miller, Christine	Sassoli
Brice	Dux	Kelly	Mois^ivitch	Seton
Burrian	Guest	Kindler	Murphy	Trinity Choir
Cahill	Hajos	Kline	Pitt	Victor Opera
Campagnola	Harrison,	Korsoff	Pollain	Sextette
Cawthorn	Beatrice	La Forge	Regis	W errenrath
Cheatham	Herbert’s Orchestra	Lauder	Reimers	White

Blue Paradise — See “Auf Wiedersehn”

*' Blue ” Records — See the following titles

“Blues” records take their name from a type of Negro-American dialect song in which is declared the narrator has the “Blues.” “Blues” fox-trot records are in slow time as a rule, with grotesque effects.

Alcoholic Blues Beale Street Blues Bell Hop Blues Black Eyed Blues Bluin’ the Blues Bull Frog Blues Clarinet Marmalade Blues Crazy Blues Cuddle Up Blues Dangerous Blues Dallas Blues Dardanella Blues Early in Morning Blues Gypsy Blues

High Brown Blues Home Again Blues Homesickness Blues Hot Lips Blues I Ain’t ’en Got ’en Time for Blues

I’ve Got A-B-C-D Blues I’ve Got Blues for My Ky. Home

I’ve Got the Wonder-Blues Jazz Me Blues Livery Stable Blues Lonesome Mama Blues Memphis Blues

Mournin’ Blues Profiteering Blues Royal Garden Blues Singin’ the Blues St. Louis Blues Those Longing Blues Tee-Pee Blues Virginia Blues Wabash Blues Wang-Wang Blues Yankee Doodle Blues Yellow Dog Blues

(Blues (My Naughty Sweetie Gives to Me) Esther WAlkerl

l Sweet Kisses ( Brown-Von Tilzer) Esther Walker)

(Blue Waves Waltz (Valverde) Hurtado Bros. Marimba Band!

I Thousand and One Night — Waltz Hurtado Bros. Marimba Band)

.(Blue- White March (Schmidt) Victor Military Bandl

l Boy Scouts of America — March (Sousa) Victor Military Band)

(Bluin’ the Blues— Fox Trot Original Dixieland Jazz Bandl

1 Sensation Rag — One-Step Original Dixieland Jazz Band)

(Blush Rose (Greene-O’Hara) (’Cello obb. by Lennartz) Murphyl l Good Night, Little Girl, Good Night Lambert Murphy)

Boat Song (G. Romilli) Geraldine Farrar

18619	10
35565	12
18209	10
18483	10
45126	10
87289	10

.75

1.25

.75

1.00

1.25

Number

K

c/5

List

prc.

17693

10

.75

64647

10

1.25

VICTOR RECORDS

/Boat Song (Moses-Ware) ( Pianoforte acc. by Harriet Ware) Wells!

Bo1 Joy of the Morning ( Markham - Ware ) John Barnes W ells)

" BOCCHERINI, LUIGI — (Bock-er-ee' -ne) (Lucca, 1743; d. Madrid, 1805)

Italian ’cellist and graceful composer. See “Minuet”

Boeufs, Les (Dupont — Arr. by Parizot) In French Marcel Journet i LA, BOHEME ( [Boh-ehm1 ) (The Bohemians) {In Italian unless noted)

Text by Giacosa and lllica; music by Puccini. First produced at Turin, 1896. In English, as “The Bohemians,” in London, 1897. In Italian at Covent Garden, 1899. First American production, November 28, 1899.

Puccini’s Boheme is an adaptation of part of Miirger’s La Vie Boheme, which depicts life in the Quartier Latin, or the Students’ Quarter, in 1830. The principal characters in Puccini’s opera are the inseparable quartet described by Miirger, who with equal cheerful¬ ness defy the pangs of hunger and the landlord of their little garret. Rudolph, a poet; Marcel, a painter; Colline, a philosopher; and Schaunard, a musician, are our friends who occupy an attic in the Quartier Latin, where they live and work together. Improvi¬ dent, reckless and careless, these happy-go-lucky Bohemians find a joy in merely living, being full of faith in themselves.

Rudolph makes the acquaintance of Mimi, a little flower- maker ; Marcel meets the gay Musetta, who plays fast and loose with him. Alternate quarrels and reconciliations fill the lives of these lovers, but the final separation ends with the sad death of Mimi, at the close of the opera. In the scenes of careless gaiety is interwoven a touch of pathos ; and the music is in turn lively and tender, with a haunting sweetness that is most fascinating.

PAINTED BY BALESTRIERI

THE DEATH OF MIMI

BOH&ME, LA (Puccini) RECORDS

ACT 1 - GARRET OF THE

Racconto di Rodolfo (Rudolph’s Narrative) (Thy Hands Are Frozen)

Racconto di Rodolfo (Rudolph’s Narrative) Racconto di Rodolfo (Rudolph’s Narrative) Racconto di Rodolfo (Rudolph’s Narrative)

BOHEMIANS

Che gelida manina
Enrico Caruso	88002	12
John McCormack	74222	12
Giovanni Martinelli	74381	12
Orville Harrold	74624	12

VICTOR RECORDS	Number	Of fvl ir>	List prc.
LA BOHEME RECORDS — Continued
Que cette main est froide (Rudolph’s Narrative) In French
and Pagliacci — Air de Paillasse — French — Campagnola	55083	12	1 .50
Mi chiamano Mimi (My Name is Mimi)	Geraldine Farrar	88413	12	1.75
M chiamano Mimi (My Name is Mimi)	Nellie Melba	88074	12	1.75
Mi chiamano Mimi (My Name is Mimi)	Lucrezia Bori	88475	12	1.75
Mi chiamano Mimi (My Name is Mimi)	Frances Alda	74448	12	1.75
O soave fanciulla (Thou Sweetest Maiden)	Bori-McCormack	87512	10	1.50
O soave fanciulla (Thou Sweetest Maiden)	Melba and Caruso	95200	12	2.50
O soave fanciulla (Thou Sweetest Maiden)	Alda and Martinelli	89132	12	2.00
ACT 11 - TERRACE OF THE CAFE MOMUS,	PARIS
Musetta Waltz	Alma Gluck	64560	10	1.25
Musetta Waltz (Whistling) Gialdini and Carmen Selection — Xylophone — Reitz	16892	10	.75
ACT III - A CITY GATE OF PARIS
Mimi, Io Son ! (Mimi, Thou Here !)	Farrar and Scotti	89016	12	2.00
Mimi e una civetta (Cold-hearted Mimi) de Gregorio-	Casini-Ferretti
and 1 rooatore — Coro di Zingari ( Verdi) La Heal a Chorus	68453	12	1.25
Addio ! (Farewell) (Harp by Mme. Rossini)	Geraldine Farrar	88406	12	1.75
Addio (Farewell)	Nellie Melba	88072	12	1.75
Addio (Farewell)	Alma Gluck	64225	10	1.25
Quartet, “ Farewell Sweet Love ! ’’ Farrar, Viafora, Caruso and Scotti	96002	12	3.00
ACT IV - SAME AS ACT I
Ah, Mimi, tu pih (Ah, Mimi, False One)	Caruso and Scotti	89006	12	2.00
Ah, Mimi, tu pit) — Murphy-Werrenrath and Faust Trio — V. Opera Trio	45182	10	1 .00
Vecchia zimarra (Farewell, Old Coat I)	Marcel Journet	64035	10	1.25
Sind wir allein? (Are We Alone?) and MimisTod In German Dux-Jorn	55070	12	1.50
MimisTod (Mimi’s Death Scene) and Sind ulir allein?	In German Dux-Jorn	55070	12	1.50
MISCELLANEOUS BOHEME RECORDS
Selection — Pryor’s Band and Jolly Robbers Overture	(Suppe) Pryor’s Band	35077	12	1.25
Selection — Vessella’s Band and Madame Butterfly Fantasia — ’Cello — Bourdon	35353	12	1.25

BOHEME, LA (Venice, 1897) (Leoncavallo)

Leoncavallo’s setting of Murger’s story was written several years after the production of Puccini’s opera, and differs slightly from the latter version. The first act occurs in the Cafe Momus, the second in Musetta’s house, the third in Marcel’s garret, and the fourth in the studio of Rudolph. Unlike the Puccini work, the tenor part is given to Marcel.

RECORDS OF LEONCAVALLO'S BOHEME

Io non ho che una povera stanzetta (I Have Only a Little Room)

(Marcello's Air, Act 11) In Italian Enrico Caruso

Testa adorata (Adored One !) (Act 111) In Italian Enrico Caruso

Bohemian Cradle Song (from “ Hubicka”) (Smetana) English Gluck Bohemian Fantasie (Smetana) Violin Fritz Kreisler

88335	12
88331	12
64213	10
74172	12

1.75

1.25

1.75

BOHEMIAN GIRL {The records are sung in English)

This popular ballad opera was one of fifteen similar works by Michael Wm. Balfe (1808) and was produced at Drury Lane, London, in 1843.

The story tells of the kidnapping of Arline, daughter of the Count Arnheim, by Devilshoof, a gypsy chief. Thaddeus, a young noble banished from his country, joins the gypsy band and falls in love with Arline. While the gypsies are attending a fair at Presburg, Arline, now a beautiful maiden of 17, incurring the displeasure of the Gypsy Queen, is accused of stealing and is taken before Count Arnheim, who recognizes his daughter by a scar on her arm. She is restored to her rank, but continues to meet Thaddeus secretly, until the lovers are denounced to the Count by the jealous Queen. The Count is at first indignant, but the pleading of his daughter, and the knowledge that Thaddeus is of noble birth, reconciles him to the union of the lovers.

ACT 1 - ESTATE OF COUNT ARNHEIM

Overture — Pryor’s Band and La Czarine Mazurka ( Ganne ) Prt/or's Band\ 1 6287 1 1 0] .75

VICTOR RECORDS

BOHEMIAN GIRL. RECORDS-Continued

ACT II - A GYPSY CAMP NEAR PRESBURG

I Dreamt I Dwelt in Marble Halls Mabel Garrison

1 Dreamt 1 Dwelt in Marble Halls — Wheeler and Then You’ll Remember — Mac Heart Bow’d Down Clarence Whitehill

Heart Bow’d Down — Turner and Home to Our Mountains — Morgan and Mac Heart Bow'd Down and Faust — Even the Bravest Heart — Werrenrath

ACT HI - A HALL IN THE COUNT'S PALACE

Then You'll Remember Me John McCormack

Then You'll Remember Me George Hamlin

Then You'll Remember Me — Macdonough and I Dreamt I Dwelt — Wheeler

MISCELLANEOUS BOHEMIAN GIRL RECORDS

Melodies — -“Then You'll Remember Me" and “1 Dreamt I Dwelt in Marble Halls” and Serenade — Good-Night, Beloved — McKee Trio

GEMS FROM BOHEMIAN GIRL— Part I Victor Opera Company

Chorus, “Away to Hill and Glen ’ — Solo, * I Dreamt I Dwelt in Marble Halls” — Solo, “Heart Bow'd Down" — Mixed Quartet, “Silence, the Lady Moon" — Solo, “Fair Land of Poland" — Chorus, “Happy and Light"

GEMS FROM BOHEMIAN GIRL — Part II Victor Opera Company

Chorus, “In the Gypsy’s Life” — Solo and Chorus, “Come with the Gypsy Bride” — Solo, “Bliss Forever Past" — Duet, “What is the Spell” — Solo, “Then You'll Remember Me” — “Finale"

Selection of Favorite Airs and Yelva Overture — Pryor’s Band

BOHEMIAN MUSIC— See “ Bartered Bride,” “ Bohemian Cradle Song,” “Destinn,” “Dove Waltz,” “Dvorak,” “Good Night,”

“In Dreamland Waltz,” “My Homeland,” “Smetana” and “Wed¬ ding”; also Bohemian Catalog

BOHEMIAN ORCHESTRA

Songe d’ Automne and Frangesa March — Pryor’s Band

Number	Size	to — 1 o.
64641	10	1.25
16398	10	.75
74407	12	1.75
16407	10	.75
55079	12	1.50
64599	10	1.25
74134	12	1.75
1639S	10	.75
18190	10	.75
35603	12	1.25
35081	12	1.25
16760	10	.75

BOITO, ARRIGO (Boh-ee' -toh)

Born in Padua, 1842; died in Milan, 1918. Italian composer and librettist of some of Verdi’s best operas. For Compositions — See “Mefistofele”

fBolero — Spanish Dance (Pessard) Flute John Lemmonel

l Scherzo Capriccio ( Sabathil ) Flute John Lemmone )

fBolero in D Major (“Spanish Dances”) (Moszkowski) Victor Orch) l Turkish March (“Ruins of Athens’ ’) ( Beethoven ) Victor Orch)

(Bombasto March (Farrar) Pryor’s Band)

l Guard Mount (Eilenberg) Pryor’s Band)

BOMBO (Al. Jolson-B. G. De Sylva)

April Showers and Leave Me With a Smile — Chas. Harrison

April Showers — Fox Trot and Weep No More — Fox Trot — -Whiteman’s Orch Coo-Coo — Charles Harrison and Stumbling — Murray

Coo-Coo — Fox Trot — Whiteman’s Orch.

and Kicky-Koo — Fox Trot — Green Bros. Marimba Orch It’s You — Fox Trot and Blossom Time— Medley Waltz — Smith’s Orch

Old Fashioned Girl — Fox Trot — Whiteman’s Or.

and Little Grey Sweetheart — Club Royal Orch

BONINSEGNA, CELESTINA, Soprano (See Pink Section)

(Bonnie Leezie Lindsay Sir Harry Lauder)

l Queen Among the Heather Sir Harry Lauder )

(Bonnie Maggie Tamson (Lauder) Sir Harry Lauder)

l Wee Deoch an’ Doris Sir Harry Lauder)

Bonnie Sweet Bessie (Arabella Root-J. L. Gilbert)

By Luisa Tetrazzini (Soprano)

By Geraldine Farrar (Soprano)

By Alma Gluck (Soprano)

Bonnie Wee Thing (Burns-Lehman) John McCormack i

55110	12	1.50
18396	10	.75
16316	10	.75
18862	10	.75
18825	10	.75
18906	10	.75
18898	10	.75
18827	10	.75
18879	10	.75
45208	10	1.00
55120	12	1.50
88428	12	1.75
88193	12	1.75
64588	10	1.25
64427	10	1.25

VICTOR RECORDS

Number

V

K

t/5

List

pro.

Boo-Hoo-Hoo (You’re Gonna Cry When I’m Gone) Stanley-Murray) In My Heart, On My Mind, All Day Long Stanley-Murray)

18855

10

.75

BOOK OF THE OPERA — The new and complete rewritten Sixth Edition

We enjoy Grand Opera more when we know more about it, and in all the literature of music we know of no other publication which gives so definite an insight into the sub¬ ject as does the “Victrola Book of the Opera.”

Not only is the story of the plot given, but aria, duet, trio, or whatever it may be, is usually noted in its proper place, so that with this book and the necessary Victor records one may actually get a better understanding of the subject at home than by attending actual performances.

The “Victrola Book of the Opera” is a volume of over four hundred pages. It con¬ tains the story and the dramatic action of practically every opera which has survived the test of time, and is handsomely bound in cloth and stamped in gold.

The book may be procured from any dealer in Victor products. If, however, he is unable to supply you, information regarding it, including the price, may be had by addressing the Victor Talking Machine Company, Cam¬ den, N. J.

A copy of this volume should be in every school, music club, conservatory of music and in the private library of all those who possess an active interest in good music; and it is, of course, extremely valuable to the music teacher.

Actual Size 6 x 8Va

fBoola Song — Yale College Air (Hirsch) Hayden Quartet"!

I Old Nassau — Princeton College Air Werrenrath and Hayden Quartet )

{

Old Nassau — Princeton College Air Boots — Recitation (Kipling)

Werrenrath and Hayden Quartet

Taylor Holmes)

Gunga Din Recitation ( Kipling ) Taylor Holmes)

BORI, LUCREZIA, Soprano {Boh' -ree) (See “Bori” in Pink Section) Boris Godounow (Moussorgsky)

In the Town of Kazan

Garden Scene — Finale, Act III In Italian

Farewell of Boris (Farewell My Son, I Am Dying)

Feodor Chaliapin Ober-Althouse Feodor Chaliapin

16860	10
55057	12
87349	10
76031	12
88661	12

.75

1.50

1.25

2.00

1.75

BORODIN, ALEXANDER PORPHYRIEV1TCH (1834-1887)

Born in Petrograd. Educated as physician, became Professor of Chemistry at Petrograd. Served as army surgeon, wrote on Chemistry, founded School of Medicine for women. Became brilliant and highly individual composer. See “Nocturne,” “Prince Igor”

BOSHKO, NATALIE and VICTORIA— See “ Tyrolean Dance”

{Boston Commandery March (Carter)

Nearer My God to Thee — Paraphrase ( Langey )

Pryor’s Bandl

Pryor’s Band)

16817

10

BOSTON QUINTET,

Mighty Lak’ a Rose

Male Voices and

Barcarolle from “ Tales of Hoffmann”

18375

10

BOSTON SYMPHONY ORCHESTRA— (See Pink Section) BOSTON VIRGINIA REEL — See “ Dance Records — Reels”

.75

VICTOR RECORDS

f Boulanger March (Desormes) Bells l Carnival of V enice Ocarina [Bounding Bounder, or On the Bounding Sea l There is Somebody Waiting for Me ( Lauder )

BOURDON, ROSARIO (Boor- John), ’Cellist

This distinguished ’cellist was born in Montreal, Canada, 1885, and first commenced to play the ’cello when eight years old. Later he went to Europe, studying at Ghent, Belgium, and later in Brussels. He won distinction as a soloist and played before the late Queen of Belgium. His playing in various sym¬ phony orchestras led to his permanent engagement for the Victor staff, where he is now assistant conductor.

Albert Muller)

Mose Tapiero)

Sir Harry Lauder"!

Sir Harry Lauder)

Number

16659

55121

10

12

.75

1.50

Broken Melody Evening Star Extase Flower Song Lohengrin-Fantasie

17342 16813 17395 351 14 35399

35353

16516

17342

18059

18850 10

35490

18209

64558

17668

12

10

75

1.25

.75

1.25

.75

Madame Butterfly Melody in F Silver Threads Underneath the Stars When You’re Away

BOURREE — See also “Suite in D Major” (Bach)

(Bow-Wow Blues — Fox Trot (Friend-Osborne) Dixieland Jazz B) l Railroad Blues — Fox Trot ( Roberts ) Benson Orchestra)

[Boy in the Bleachers — Comic Monologue Ralph Binghaml

l My Possum Hunt — Darky Story Ralph Bingham)

f Boy Scouts of America — March (Sousa) ( with whistling) Victor Band!

1 Blue- White March ( Schmidt ) Victor Band]

BOY SOPRANOS — See “Isaacs” and “Pickels”

Brabancjonne, La (Belgium National Song) (Rogier-Campenhout)

In French Marcel Journet

fBraban^onne, La Victor Military Band)

l Marseillaise ( French National Air ) (de Lisle) Sousa ’s Band)

BRAGA, GAETANO (1829-1907) Italian composer of Opera and lighter works — See “Angel’s Serenade”

BRAHMS, JOHANNES (Brahmz) (1833-1897)

Born Hamburg, 1833. Father played orchestra in theatre and taught boy. At 14 made first appearance as pianist. At 20 made concert tour, was heard by Joachim, who pronounced him a genius. Some compo¬ sitions of this period not successful, and Brahms spent some years in further study. In 1862 went Vienna as conductor, bringing out choral works by Bach and Handel with great success. His first symphony, upon which he had worked for ten years, off and on, presented 1 876, with great success.

Greatest work, his Requiem, a sacred cantata, performed Bremen, 1868; brahms London, 1873; United States, 1884. Wrote several symphonies, much exquisite chamber music. Songs very beautiful, ranking with those of Schubert, Schumann and Franz, and he was one of the foremost composers of the world. Brahms died Vienna, 1897.

RECORDS OF BRAHMS COMPOSITIONS — See “Cradle Song,” “Hungarian Dance,” “Lullaby,” “Quartet in C Minor,” “Schmied, Der,” “Symphonies,” “Waltz.”

BRASLAU, SOPHIE, Contralto (Brass' -low) (See “Braslau” in Pink Section)

BRASS QUARTETS Cornets and Trombones

68588

Trumpeter — Werner’s

Farewell 68588

Farewell to the Forest 17216 Good Night, Beloved 17109 On the Sea I 7272

Spring Song 17216

Brazilian National Hymn — Grand Fantasie (Gottschalk) Piano Novaes|74675|l2|l.75

Sounds from My

Native Land T annhauser — Pilgrims'

Chorus 17133

VICTOR RECORDS		Number	«■* oO	to — J Q,
Brazilian Tango (Alexander Levy) Piano	Guiomar Novaes	64879	10	1.25
(Breakfast in Bed on Sunday Morn (Lauder) l My Bonnie, Bonnie Jean ( Lauder )	Sir Harry Lauder 1 Sir Harry Lauder)	55119	12	1.50
(Break the News to Mother (C. K. Harris) l You’re a Grand Old Flag (Cohan)	Shannon Four! American Quartet)	18358	10	.75
(Breezes of the Night Waltz l Ivanhoe — Two-Step (Van Alstyne)	Pryor’s Band! Pryor’s Band)	16112	10	.75
[Brewer’s BigHosses, De — Temperance Song (withCho.) Rodeheaver! [ The Old-Fashioned Faith (McAuley- Ackley) Homer Rodeheaver)	17455	10	.75

BREWSTER, GEORGE, Tenor — See “Closer to Jesus” and “Drifting”

45263

45303

Lyric Quartet! Lyric Quartet)

Pietrol

Pietro )

Herbert L. Clarke!

Clement Barone) Hayden Quartet! Peerless Quartet) (Gabriel) Rodeheaver)

Piccolo

BRICE, FANNY, Comedienne

Becky is Back 45323 I My Man

I’m An Indian 45303 I Oh, How I Hate

Bridal Chorus — Lohengrin — See. “Lohengrin

/Bridal Chorus (“Rose Maiden ”) (Cowen) l Miller’s Wooing ( Goddard-Faning )

BRIDAL MUSIC — See “ Wedding Music”

/Bridal Rose Overture (Lavallee) Accordion l Stradella Overture ( Flotou ;) Accordion /Bride of the Waves (Clarke) Comet l Nightingale and the Frog ( Eilenberg )

/Bridge, The (Carew) l Old Oaken Bucket ( Woodworth )

/Brighten the Corner Where You Are 1 I Walk With the King ( Revival Hymn ) {Rowe- Ackley) Rodeheaver) /Brightest Days Gavotte (Broustet) Bell Solo Wm. Reitz!

1 Dream After the Ball ( Michaelis ) Xylophone Wm. Reitz)

/Bright Eyes — Med.FoxTrot (int. “You Oughta See”) Wliiteman’s O! I Love Bird — Medley Fox Trot ( Fiorito-Hanley-King ) Whiteman’s O) /Bright Moon — Russian Folk Song Kirilloff’s Balalaika Orch!

I Song of the V olga Boatmen Kirilloff’s Balalaika Orchestra)

Brindisi — See “Hamlet,” “Lucrezia,” “Otello,” “Traviata”

/Bring Back My Blushing Rose (“Follies 1921”) John Steel!

1 Sally, Won’t You Come Back (Zieg field Follies / 92 1) John Steel) Bring Back My Blushing Rose — Medley Fox Trot 1

(Intro. “Sally, Won’t You Come Back”) Shilking Orchestral

Stolen Kisses — Fox Trot (Snyder) Coleman’ s Orchestra)

Bring Back My Bonnie to Me (with Orpheus Qt) Alma Gluck /Bring Back My Bonnie to Me — College Air Hayden Quartet! I Owl and the Pussy Cat ( De Koven) Hayden Quartet)

/Bring Back My Lena to Me Maurice Burkhardt!

I Schneider, DoesYour Mother Know You ’re Out ? (Yodel Song) Watson)

BRITISH ARMY BUGLE CALLS-See “Nat’l and Pat. Airs — Gt. Britain

/British Bulldog’s Watching at the Door Sir Harry Lauder!

1 Jean MacNiell — Scotch Specialty Sir Harry Lauder)

BRITISH PATRIOTIC AIRS— See “ Nat’l and Pat. Airs— Great Britain”

/British Troops Passing Through Boulogne Descriptive!

I Flag That Never Comes Down ( Coulson-Finck ) Hamilton)

Second Hand Rose 45263 Sheik of Avenue B 45323

35209	12	1.25
35345	12	1.25
16194	10	.75
16217	10	.75
17763	10	.75
16428	10	.75
18735	10	.75
73153	10	.75
18813	10	.75
18797	10	.75
64793	10	1.25
16105	10	.75
16994	10	.75
45213	10	1.00
17696	10	.75

VICTOR RECORDS	Number	4^ oo	Vi «-> — o.
( Broad way (La Gran Via) Waltz Potpourri Qp l Dear One ( Carina ) Gavotte	Vessella’s Band! Vessella ’s Band J	68535	12	1.25
- (Broadway Rose (West-Spencer-Fried) l Mother’s Lullaby ( Milton Weil)	Burr-Peerless Qt) Sterling Trio J	18710	10	.75
(Broadway Rose — Med. Fox Trot (intro. “Dolly”) l Suleet Mamma — Medley Fox Trot	Dixieland Jazz B) Dixieland Jazz Band)	18722	10	.75
(Broken Doll (Harns-Tate)	Nora Bayes)	45136	10	1.00
l Please Keep Out of My Dreams (Bayes- Maxwell) Nora Bayes)
(Broken Melody, The (van Biene) ’Cello	Rosario Bourdon)	17342	10	.75
l Silver Threads Among the Gold (Danins) ’Cello Bourdon)
Broken Melody (Aug. van Biene) Violin	Efrem Zimbalist	74445	12	1.75
(Broken Moon — Without You — Medley Fox Trot	Smith’s Or)	18745	10	.75
l I Lost My Heart to You — Medley Fox Trot BRONZONI, MARIA, Soprano — See “Tosca” BROOKE, ARTHUR— Flutist - See “Whirlwind”	Smith’s Orchestra)

Brook, The (Tennyson-Dolores) (Pianoforte by Bourdon) Alma Gluck	64324	10	1.25
(Brother Jones’ Sermon (Bingham)	Ralph Bingham)	18587	io*	.75
l Mrs. Rastus Johnson ’s Joy Ride	Ralph Bingham)

BROWN BROS. SAXOPHONE SEXTETTE

It will be remembered that the Brown Brothers were one of the features of that success¬ ful production, “ Chin Chin,” and they also created something of a sensation in Stone’s “Jack O’ Lantern.” These accomplished players have chosen lively numbers which show the skill of the organization and exhibit the noble tone quality of the instruments.

BROWN BROS. SAXOPHONE RECORDS

Rigoletto Quartet 18217

Bull Frog Blues 18097

Chasing the Chickens 18476 Chicken Reel 17799

Chin Chin 18149

Comedy Tom 18385

Darktown Strutters’ B 18376

BROWN, EDNA, Contralto

Hush-a-Bye, Ma Baby 18214 Duets in which Miss Brown sings Down Old Va. Way 18930

BRYANT, SARA CONE

Dog and the Kitty Cats (2) Pig Brother 35643

Down Home Rag 1 7834

Egyptland 18562

If a Wish Could 18714

Passion Dance 18217

Peter Gink 18562

Pussyfoot March 1 8097

Fair Hawaii 18032

Ka-Lu-A 18854

Mississippi Cradle 18841

Those Songs My

Mother 35136

I Epaminondas 35636

I Little Bull Calf 35643

Smiles and Chuckles 18385 That Moaning

Saxophone Rag 1 7677 Tip Top 18714

When Aunt Dinah’s

Daughter 18476

Trail of Lonesome P. 17338 When Shall We Meet 18841 While the Y ears Roll 1 8955

Little Jackal and

Alligator 35636

BUCK, DUDLEY (Hartford, Conn., 1839; d. Orange, N. J„ 1901) Noted

American composer and organist. — See “Festival Te Deum,” “Rock of Ages” and “Virgin’s Lullaby”

fBuffalo News March (Lampe) Xylophone \ Dance California ( Gregory ) Bell Solo

fBuffalo Rag, The (Turpin) Banjo l Barnyard Serenade — Descriptive

Wm. H. Reitz) Wm. H. Reitz)

Vess L. Ossman) Spencer and Holt)

17357

16779

10

BUGLE CALLS OF THE BRITISH ARMY— See “ National and Patriotic Airs — Great Britain ”

.75

VICTOR RECORDS

Bugle Calls of U. S. Army— Part I W. G. Johnston-

(Chief Trumpeter and Band Master, Culver Military Academy)

First Call — Guard Mounting — Drill — Boots and Saddles — Assembly — Adjutant's Call — To the Colors— Reveille — Retreat

Bugle Calls of U. S. Army — Part II W. G. Johnston

Tattoo— Taps — Mess — Commence Firing — Cease — Fix Bayonets — Charge Bugle Calls of U. S. Army — Part I (with spaces) W. G. Johnston' First Call — Guard Mounting — Drill — Boots and Saddles — Assembly — Adjutant’s Call — To the Colors — Reveille Bugle Calls of U. S. Army — Part II W. G. Johnston

Tattoo — Taps — Mess — Commence Firing — Cease — Fix Bayonets — Charge

Bugle Calls of U. S. Army, No. 1

First Call — Reveille — Mess Call — Guard Mount — Adjutant’s Call — Sick Call — Assembly — Drill — Retreat — T attoo — T aps

Bugle Calls of U. S. Army, No. 2 —

Officer’s Call — Captain's Call — First Sergeant’s Call — Break Camp —

To Arms — Fire Alarm — Signal to Horse— Rogue's March — To the Colors — Funeral March

Bugle Calls — See “ Drum, Fife and Bugle,” “ Soldier’s Day” and “ Taps /Bullets and Bayonets — March (Sousa) Sousa’s Band)

l On the Campus — March (Sousa) Sousa ’s Band)

/Bull Frog Blues (In Fox Trot Time) (Browne-Shrigley) Brown Brosl l Pussyfoot March — Saxophone Sextette Six Brown Brothers)

Number

18306

18324

16056

/Bunch of Rags, A

1 Dixie Girl — March

1

Fred Van Eps)

Plantation Trio )

Murry K. Hill)

Porter and Harlan)

18752

18097

16667

16849

10

.75

For

(Ossman) Banjo ( Lampe ) Banjos and Guitar /Burbank, the Wizard — Humorous Specialty Two Rubes Swapping Horses — Comic Dialogue BURBECK, FRANK, American Actor

A sterling actor quite well known to theatre-goers, both in America and England, nearly a quarter of a century his name has been prominent in the leading dramatic productions — Robson and Crane, Dion Boucicault, Maude Adams’ productions of Twelfth Night and Joan of Arc, etc.; and he has for many years been a valued member of the Frohman staff. BURBECK RECORDS See also " Educational Records ’’

Knight’s Toast, The and An Old Sweetheart of Mine (Riley) Burbeck /Burglar Story and High Cost of Living Raymond Hitchcockl l Mr. Hitchcock’s Curtain Speech (“ Beauty Shop”) Hitchcock /

BURKHARDT, MAURICE — See ‘‘Bring Back My Lena ”

BURNLEY, MRS. HARDIN, Humorous Recitation

Small Boy and His Mother at Circus and Uncle Josh at Dentist’s — Stewart

BURNS, ROBERT (1759-1796), Songs of — See “Auld Lang Syne,”

“Bonnie Wee Thing,” “Flow Gently, Sweet Afton,” “John Anderson,” “Scots, Wha’ Hae” and “Ye Banks and Braes”

16913

55046

16413

.75

1.50

.75

BURR, HENRY, Tenor

Mr. Burr is one of the most valued members of the Victor staff of singers, his mellow tenor voice and distinct enunciation making his records most pleasing ones. This singer has contributed to the Victor list a fine collection of popular ballads and old Scotch songs, besides appearing in several duet combinations and with the Peerless Quartet. Mr. Burr’s likeness may be found under the Peerless Quartet heading.

BURR RECORDS

Angels 18736

Blue Diamonds 18676 Broadway Rose 18710 Daddy, You’ve Been 18656 DressMyMotherWore 17721 Good-Bye, Good Luck 17984 Held Fast in Baby’s Hands 18763

I Know What It Means 1 8538 I’ll Take YouHome 16781 I’m Glad I Can Make You Cry 18509

I’m Sorry 1 Made You 18462 In the Shade of the Old Apple Tree 16174 J uat a Baby’s Prayer 1 8439

Just as Your Mother

Was	18352
Kentucky Home	18821
Killarney	16139
Loch Lomond	16062
Mary, Dear	18955
M-o-t-h-e-r	17913
My Buddy	18930

Number

VICTOR RECORDS

BURR RECORDS — Continued

My Mother’s Prayer 18747 Oh ! What a Pal Was Mary 1 8606

Old Pal, Why Don't You 18708

Ould Plaid Shawl 17386 Sabbath Morn 16288

Scots, Wha' Hae 16062 Sighing 1 7984

That’s How I Believe 18848 That Wonderful Mother 1 8524

Throw Out the Life Line 16431

Time After Time 18875 Tired of Me 18692

'Twas Only an Irish¬ man’s Dream 18198

Wake Up Little Girl 18893 Was There Ever a Pal 18645 When the Corn 18781 When the Honeymoon 1 8805 You Didn’t Want Me 18620 You Made Me Forget 18782

You Remind Me 18957

Duets in which Mr. Burr sings — see also Campbell-Burr

Down Old Va. Way Fun in Flanders 1 Am Praying If You Look In the Valley Love is Like Red R. Weeping Willow Lane

BURRIAN, CARL, Tenor — See “ Gotterdammerung ”

BUTIN — Guitarrist — See “American Valor Mch.” f Butterfly (Edward Lockton-Hayden Wood) Lucy Ma

\ Piccaninny Rose { Annelu Burns-M. Sheppard ) Olive K1

/Butterfly (Papillon) (Grieg) (2) Rustle of Spring Schen l Walkiire- Magic Fire Spell Pianoforte Julius L. Scher

(Butterfly, The (Le Papillon) (d’Hervelois) ’Cello Fernand Poll l Serenade { Pierne ) Violoncello Fernand Pol

Bydd Myrdd O Rhyfeddodau (Babel) (Resurrection Hymn)

In Welsh Glyndwr Male Choir I Aberystwyth {Jesus, Lover of My Soul ) Welsh and English Glyndwr Choir! fBye and Bye You Will Forget Me Baker and F. Whee

l When Twilight Comes to Kiss the Rose Good Night — Baker-Whe (Bygones — Fox Trot (Kortlander-Alpert) Whiteman and His O l By the Sapphire Sea — Fox Trot {Ted Snyder) Whiteman and Hi: fBy the Brook — Idyll (Wetzger) Flute John Lemmi

\ Concerto for Harp and Flute ( Mozart ) Sassoli-Lemrr

fBy the Brook — Reverie (Fischer) {Pianoforte by Falkenstein) Mukle 1 Lullaby {Bredt- Feme) {Pianoforte by Falkenstein) ‘Cello May Mukle. fBy the Camp-fire (Girling- Wenrich) Peerless Quartet

l Fm Forever Blowing Bubbles Charles Hart- Elliott Shau

fBy the Old Cathedral Door (Lamb-Solman) Peerless Quartet l Afterwards {Lemon- Mullen) Frank Coomb:

JBy the Old Ohio Shore — Waltz (Earl) Green Bros. Marimba Oi When Shall We Meet Again — Medley Waltz Hackel-Berge Oi fBy the Sapphire Sea — Fox Trot (Ted Snyder) Whiteman and Oi l Bygones — Fox Trot {Kortlander-Alpert) Whiteman and His Oi By the Waters of Minnetonka (An Indian Love Song) (J. M.

Cavanass-Thurlow Lieurance)

By Julia Culp (Contralto)

By Frances Alda (Soprano)

By Princess Wat ahwaso (Mezzo-Soprano) and A Sioux Serenade— W alahwa

fBy the Weeping Waters (Lieurance) Princess Watahwasc l Aooah {Love Song) { 2 ) Her Blanket Princess Watahwasi

\ Mo-Ana {Hawaiian Waltz ) Athenian Mandolin Qut

CADMAN, CHARLES WAKEFIELD, (B. Johnstown, Pa., 1881.) Bril¬ liant contemporary American composer of songs, orchestral pieces, etc. — For songs, etc., see “Gluck,” “Herbert’s Orchestra,” “McCormack” and “Williams”

l

' 45244	to
• 35448	12
. 45158	10
• 72813	10
> 17312	10
[ 18880	10
f 55111	12
■<r 00 H	10
f 18540	10
[ 17175	10
\ 18858	10
[ 18880	10
64721 64908 o 18431	O © O
} 18418	10
} 18057	10

18930

18405

16372

18452

17587

16854

18609

1.00

1.25

1.00

.75

1.50

.75

1.25

.75

VICTOR RECORDS

CAHILL, MARIE, Comedienne

Everyone today knows Marie Cahill for one of the most dainty and finished of comediennes. Here are two records by her:

Dallas Blue3 55081 I Shopping 45265

Idle Woman’s Busy Day 55081 I Washing Baby 45265

CAID, LE (Kah' -eed) The Cadi (Paris, 1849) (Ambroise Thomas)

Air du Tambour Major (Drum Major's Air) Bass In French Pol Plan?on CAIRNS, CLIFFORD, Bass Duets in which Mr. Cairns sings

Harbor Bell and Life’s Railway — Harrison-Cairns

/California — Fox Trot (Friend-Conrad) Club Royal Orch)

Who Believed in You ? — Fox Trot All Star Trio and Orch )

/California and You (E. Leslie-H. Puck) Irving Kaufmanl

On the Banins of the Brandywine Campbell and Burr)

Calling Me Home to Y ou (Teschemacher-Dorel) John McCormack /Call Me Back, Pal o’ Mine (Perricone-Dixon) Chas. Harrison) For the Sake of Auld Lang Syne (Graff, Jr.- Burns- Ball) James) /Call Me Thine Own Violin-Flute D’Almaine and Lyons)

Serenade ( Schubert ) Violin-Flute Rattay and Barone)

/Call to the Colors (Guiterman) (Recitation with Bugle) Battis) The Meaning of Our Flag (2) The Flag Goes By Battis)

Calm as the Night (Still wie die Nacht) (See also “ Still wie die Nacht”) (Mattullath-Bohm) (with Pianoforte ) McCormack-Kreisle /Calvary (Rodney) Frank C. Stanley)

l Rock of Ages (Dudley Buck) Anthem for Mixed Voices Lyric Qtl

{Calvary (Vaughan-Rodney) Elsie Baker

Oh Lord, Most Holy (Franz Abt) Trinity Choi

/Calvary (Darwood-Sweney) Trinity Choir)

1 Sun of My Soul (Keble- Ritter) Helen Clark)

CALVE, EMMA, Soprano ( Kahl-vay ') (See 1 ‘Calve” in Pink Section)

{Camel and Butterfly (2) Elephant and Portmanteau Price The Tin Gee Gee (Cope) Children’s Songs Henry Pria

J}

Number	Size	List prc.
85119	12	1.75
18925	10	.75
18890	10	.75
17613	10	.75
64803	10	1.25
18944	10	.75
35140	12	1.25
18297	10	.75
87550	10	1.50
16269	10	.75
17240	10	.75
17479	10	.75
16694	10	.75

CAMPAGNOLA, LEON, Tenor (Lay-on Kam-pahn-yo-lah) In French

Boheme — Que cette Carmen — C est toi Faust — A moi lea Faust — Mais ce Dieu

Pagliacci — Air de Paillasse Rigoletto — Comme la 45! 18 Rigoletto — Qu'une 45118

55083

55083 Favorita — Ange si 45119

55084 Favorita — Unange 45119

55087 Manon — Et je sais 55086

55087 Manon — Non, votre 55806

CAMPAIGN SPEECHES — See ‘‘Political Addresses” and “Taft”

Campana di San Giusto — Chimes of SanGiusto (Arona) Italian Caruso 88812 12 1.75 CAMPANARI, GIUSEPPE, Baritone

Carmen — Canzone del Toreador In Italian Bizet 85073 12 1.75

Campane a Sera — (Ave Maria) (Billi-Malfetti) In Italian Enrico Caruso 88615 1 2 i 1.75 CAMPBELL-BURR DUETS

Angel Child 18903

Carolina Lullaby 18762

Don’t Write Me 18215

Feather Your Nest 18708

1 Am Climbing 18620

1 Need Thee 16255

CANADIAN AIRS

Land of the Maple Maple Leaf Forever

In the Hills 17685

In the Land of Love 17721

Just Before Battle 16418

My Little Girl 17810

One Day in June 18462

On the Banks 17613

Snow Deer 17398

Those Days Are Over 1 8877 Underneath Hawaiian 18730 Wedding of Sunshine 17913

(For French-Canadian see Victor French Catalogue) 16593 I National Airs 17304

17304 I O Canada 17999

/Canadian Capers — FoxTrot (Chandler- White-Cohen) Whiteman’s Orl I l Bimini Bay — Fox Trot (Kahn-Egan-Whiting) Benson Orchestra) \

10

.75

VICTOR RECORDS

f Canoe Song (Ciribiribin) (Martens-Pestalozza) Littlefield-Baker l Venetian Boat Song ( Blumenthal ) Littlefield-Baker.

Canta pe’ me — Neapolitan Song (Bovio-de Curtis) Enrico Caruso Cantique de Noel — See “Noel”

Canto Amoroso — Liebeslied (Sammartini) (arr. by Elman) Elman Canto del Presidiario, El In Spanish Emilio de Gogorza

( Can’t You Hear Me Calling, Caroline (Caro Roma) MacFarlanel l That’s an Irish Lullaby (J. R. Shannon ) MacFarlanel

(Can You Forget — Fox Trot (Frey) Club Royal Orch'l

\ Two Little Wooden Shoes — Fox Trot (‘ 'Spice of 1 922”) \

l Club Royal Orchestral

(Can You Tame Wild Wimmen (Sterling-Von Tilzer) Billy Murray! I The Worst is Yet to Come (Lewis- Young- Grant) Billy Murray 1 Canzonetta (A. d’Ambrosio, Op. 6) Violin Mischa Elman

Canzonetta (from String Quartet in E flat) (Mendelssohn) Flonzaley Qt Canzonetta (Loewe) ( Harp acc. bp Lapitino ) German Alma Gluck Canzonetta (Goethe-Loewe) Hulda Lashanska

Canzonetta (Godard, Op. 35, No. 3) Violin Erika Morini

Canzonetta (from Violin Concerto, Op. 35) (Tschaikowsky) Heifetz

{Canzonetta (V. Hollaender) Victor String Quartet!

In the Forest ( Sous Bois) ( Staub . Op. 6) Vidor Orchestral

Capinera, La (The Wren) (Sir Julius Benedict) ( Flute obb.)Ital. Galli-Curci (Capitan March, El (Sousa) (See also “Medley No. 107”) Sousa’sBandl l Washington Post March Sousa’sBandl

f Capitan March, El (Sousa) (For School Marching) Pryor’s Band! I Stars and Stripes Forever March Pryor’s Band}

(Cappa’s Seventh Reg. March (Eddie Quinn) with Drums Pryor’s B! I Skyrocket March (Drum effects) Pryor’s Band}

CAPPER, CHARLES, Whistler

Kiss Waltz and 5ee the Pale Moon ( Cornets) Clarke-Keneke

Capriccio (Scarlatti) Violin Mischa Elman

Capriccio Valse (Waltz Caprice) (Wieniawski, Op. 7) Violin Powell Capriccio Valse (Waltz Caprice) (Wieniawski, Op. 7) Violin Morini Caprice No. 13 (from “24 Caprices”) (Paganini-Kreisler) Violin Heifetz Caprice No. 20 (from “24 Caprices”) (Paganini-Kreisler) Violin Heifetz

Maud Powell Mischa Elman Herbert L. Clarke! Edgar L. Davenport 1 Charles G. Sprossl Himmelreichi

Violin

Caprice (Ogarew, Op. 51, No. 2)

Caprice Basque (Sarasate) Vio n (Caprice Brilliante Cornet l Lasca — Dramatic Recitation (Deprez)

(Caprice Espanol (Moszkowski) Pianoforte \ Lucia Sextette (Transcription) Pianoforte (Caprice Espanol (Beaumont) Vessella’s Italian Band!

1 L’Arlesienne Suite — Part 4, “ Farandole ” Vessella’s Italian Band)

Caprice Poetic — La Leggierezza (Liszt) Pianoforte Alfred Cortot Caprice Viennois (Kreisler) Violin (See “Cradle Song, 1915”) Kreisler Capricietto ( Mendelssohn- Burmester) Violin Mischa Elman

Capricieuse (Edward Elgar, Op. 17) Violin Jascha Heifetz

Number	rSi	C/3 ^ — 1 O.
45172	10	1.00
87092	10	1.25
74392	12	1.75
74042	12	1.75
45185	10	1.00
18936	10	.75
18515	10	.75
66008	10	1.25
64784	10	1.25
64626	10	1.25
66021	10	1.25
66038	10	1.25
74678	12	1.75
18753	10	.75
64792	10	1.25
17302	10	.75
35389	12	1.25
17080	10	.75
16546	10	.75
64642	10	1.25
74173	12	1.75
74686	12	1.75
66037	10	1.25
64833	10	1.25
64301	10	1.25
74176	12	1.75
35090	12	1.25
35223	12	1.25
17908	10	.75
74589	12	1.75
74197	12	1.75
64204	10	1.25
64760	10	1.25

VICTOR RECORDS

Piptain Betty One-Step

Kiss A' " '

f Capt’n

l Squee

a

Central American Marimba Band')

Kiss Me — One-Step Central American Marimba Band }

Cuttle (from Dickens’ “Dombey and Son”) Battis

Squeers, the Schoolmaster ( from Dickens’ " Nicholas Nickleby") j Care Selve — See “Come Beloved”

{Caresses — Med. Fox Trot (&“Lonesome Raindrop”) Whiteman’s O Just Snap Your Finger at Care — Med. Fox Trot Whiteman’s Orch

(Carillon — Part I (Edward Elgar) (Recitation, “Sing, Belgians” by

Henry Ainley) Symphony Orchestra

Carillon — Part II ( Edward Elgar) Symphony Orchestra

Carissima (Arthur A. Penn) Frances Alda

Carme (Canto Sorrentino) In Italian McCormack and Kreisler

Number

18292

35616

35704

55050

66036

87548

C/6 — j O.

.75

1.25

1.50

10 1.25 10 1.50

CARMEN ( Sung in French unless otherwise noted )

Text by Meilhac and Halevy, founded on Merimee’s novel. Music by Bizet. First production, Paris, 1875; London, 1878; New York, 1879, with Minnie Hauk. Some notable revivals, 1893, Calve’s first appearance; 1905, with Caruso; and Hammerstein’s revival, 1906, with Bressler-Gianoli and Dalmores.

Don Jose, a young brigadier, betrothed to Micaela, a peasant girl in his native village, is quartered at Seville near a factory where Carmen, a reckless and beautiful cigarette girl.

carmen’s DEFIANCE - ACT IV

stabs a fellow-employee, and is arrested by Jose. She manages to fascinate him, and makes her escape. Jose is imprisoned for neglect of duty, but when released follows the gypsy to Pastia’s Inn, where he finds Escamillo, a Toreador, and Zuniga, his captain, both paying court to Carmen. Stung with jealousy he deserts, and follows the band of smug¬ glers Carmen has joined.

The next act shows the smugglers’ camp, and Carmen, already tired of her soldier, welcomes the Toreador, who has followed her. Jose is about to kill her when Micaela

VICTOR RECORDS

Number ~

arrives with a summons from his dying mother. He goes, but threatens vengeance. In the last act Jose, half crazed with jealousy, kills Carmen outside the bull ring, where she is awaiting the triumphant Escamillo. (See Victrola Book of the Opera.)

ACT 1 - PUBLIC SQUARE IN SEVILLE

Philadelphia Orchestra

-Finale and Third Intermezzo — Herbert'sOr

Emma Calve Gabriella Besanzoni Geraldine Farrar Sophie Braslau Marsh-McCormack Geraldine Farrar

Prelude

Prelude (2) First Intermezzo

and Prelude

Habanera (Love is Like a Wood Bird)

Habanera (Love is Like a Wood Bird) In Italian Habanera (Love is Like a Wood Bird)

Habanera (Love is Like a Wood Bird)

Parle-moi de ma mere (Tell Me of My Mother)

Seguidilla (Near the Walls of Seville)

First Intermezzo (First Entr’acte) and Third Intermezzo — Herbert’s Or

ACT 11 - TAVERN OF LILLAS PASTIA

Chanson Boheme (Les tringles de sistres) (Gypsy Song) Geraldine Farrar Toreador Song de Gogorza and Metropolitan Chorus

Toreador Song (Canzone del Toreador) In Italian Pasquale Amato

Toreador Song (Canzone del Toreador) In Italian Giuseppe Campanari Toreador Song Werrenrath and Cho. and Pagliacci — Prologue — Werrenrath Toreador Song — Turner English and Tempest of the Heart ( T rovatore ) Turner Toreador Song — Cigada, Huguet, Salvador and Chorus In Italian

and Cavalleria Rusticana — Intermezzo — Pryor s Orchestra Haltela! (Who Goes There?) Farrar-Martinelli

Air de la fleur (Flower Song) Enrico Caruso

Air de la fleur (Flower Song) Giovanni Martinelli

11 fior che avevi a me (Flower Song) In Italian Enrico Caruso

11 fior che avevi a me (Flower Song) In Italian John McCormack

Flower Song In English Evan Williams

LS-bas dans la montagne (Away to Yonder Mountains) Geraldine Farrar

ACT 111 - A MOUNTAIN CAMP

Voyons que j’essaie (Let Me Know My Fate) Farrar

Je dis que rien ne m' epouvante (Micaela’s Air) Geraldine Farrar

Je dis que rien ne m’ Epouvante (Micaela's Air) Alma Gluck

Je dis que rien ne m’ epouvante (Micaela’s Air) Frances Alda

Third Intermezzo (2) Finale of Prelude and / st Intermezzo — Herbert' s Orch

ACT IV - EXTERIOR OF THE BULL RING

Aragonaise (Prelude) Toscanini and La Scala Orchestra

Si tu m'aimes (If You Love Me) Farrar, Amato and Cho

C'est toi (You Here?) Farrar-Martinelli

C’est toi (You Here?) and Je t’aime encore — Brohly-Campagnola

Je t’aime encore (Let Me Implore You) Farrar-Martinelli

Je t’aime encore (Let Me Implore You) and C’est toi — Brohly-Campagnola

MISCELLANEOUS CARMEN RECORDS

SELECTION FROM CARMEN — March and Chorus — “Habanera” — “Chanson Boheme" — “Toreador Song" — Wm. Reitz Xylophone

and Musetta Waltz— From "Boheme" — Whistling— Guido Gialdini SELECTION OF PRINCIPAL AIRS— Guards’ Call, Prelude Act I — Entr’ acte. Act IV — Toreador Song — Sousa’s B and Freischiitz Overture—

Sousa's Band

SELECTION — Prelude — "Toreador Song” — "Habanera”

and Coronation March — Vessella's Italian Band

Carmena — Vocal Waltz

{Carmen Sylva

Roumanian Dances

Carnival of Venice

By Luisa Tetrazzini By Luisa T etrazzini

(Walton- Wilson) In English Gluck

Roumanian Tamburica Orchestral

Roumanian Tamburica Orchestra /

(Arban)

(Soprano)

(with vocal variations) In Italian

Part II (with vocal variations) In Italian

64822	10	1.25
55103	12	1.50
88085	12	1.75
74613	12	1.75
87210	10	1.25
64469	10	1.25
74345	12	1.75
88511	12	1.75
55103	12	1.50
88512	12	1 .75
88178	12	1.75
88327	12	1.75
85073	12	1.75
55068	12	1.50
16521	10	.75
62618	10	.75
89112	12	2.00
88208	12	1.75
74391	12	1.75
88209	12	1.75
74218	12	1.75
74122	12	1.75
88513	12	1.75
88534	12	1.75
88144	12	1.75
74245	12	1.75
74353	12	1.75
55103	12	1.50
64999	10	1.25
89086	12	2.00
89111	12	2.00
55084	12	1.50
89110	12	2.00
55084	12	1.50
16892	10	.75
35000	12	1.25
35610	12	1.25
64400	10	1.25
72229	10	.75
88291	12	1.75
88292> 12	1.75

VICTOR RECORDS

Number

CARNIVAL OF VENICE RECORDS-Continued

By Ferdinand Himmelreich (with variations) Piano and Whispering Winds By Bohumir Kryl (with variations) Cornet and Marche Fantastique — Kryl’sB By Herbert L. Clarke Cornet and Titl's Serenade — Keneke-Barone

By Albert Muller Xylophone and Joys of Spring — Whistling — Gialdini

By Mose Tapiero Ocarina and Boulanger March — Bells — Albert Miiller

{Carnival Romain Overture (Berlioz) Victor Concert Orch'l Polonaise Militaire ( Chopin ) Vessella’s Italian Band)

(Carolina in the Morning — Fox Trot (Donaldson) Whiteman’s Orl

l Cow Bells — Fox Trot ( Piantadosi ) Confrey and His Orchestra)

(Carolina Lullaby (Hirsh-Panella) Campbell-Burrl

\ Thinking of you { Eastman- Heltman) Peerless Qt)

(Carolina Minstrels (See “Minstrel No. 2”) Victor Minstrel Col \ Whistling Pete — Minstrel Specialty Golden and Hughes)

(Carolina Rolling Stone (Parish-Young-Squires) Hart-Shawl

l There’s Silver in Your Hair (David-Wright) Chas. Hart)

(Carolina Sunshine (Hirsch-Schmidt) Sterling Trio)

l Golden Gate ( Kendis-Brock.man ) Charles Hart and Elliott Shaw)

(Carolina Sunshine — Waltz (E. R. Schmidt) Jos. C. Smith’s Orch'l l Apple Blossoms — Medley One-Step Joseph C. Smith’s Orchestra )

Caro mio ben (Canst Thou Believe) (Giordani) Italian Galli-Curci

{Caro mio ben (Canst Thou Believe) (Giordani) Italian Werrenrath) O cessate di piagarmi ( 2 ) Ecco purch’a In Italian Werrenrath)

CARROLL, FRANK — Yodels with Barton and Guitar — See “Barton’ Carry Me Back to Old Virginny (Bland) Gluck and Male Cho

(Carry Me Back to Old Virginny (Bland) Orpheus Quartet 1

l Darling Nelly Gray ( Hanby ) Peerless Quartet)

(Carry Your Cross with a Smile (Ogdon-Gabriel) Rodeheaverl

l Tell Me the Story of Jesus {Crosby -Sweney) Rodeheaver)

CARTWRIGHT, EARL, Baritone — See “Some Day”

CARUSO, ENRICO, Tenor {Kah-roo' -zohi) (See “Caruso” in Pink Section)

CASE, CHARLEY, Comedian

How Mother Made the Soup and Liars, or My Uncle s Farm — Golden-Hughes

(Casey at the Bat (Thayer) Recitation De Wolf Hopper)

l Man Who Fanned Casey {Reply to “Casey at the Bat”) Digby Bell)

(Casey Jones (Newton) Murray and American Qt)

l Moonlight in Jungle Land {Dempsey -Schmid) Collins and Harlan)

Casse Noisette— Nutcracker Suite (Tschaikowsky)

Danse Chinoise and Danse des Mirlitons and Danse Arabe— Herbert’s Or Dance Humoresque — Pryor’s Band and Humoresque (Dvofak) Pryor's Band Waltz of the Flowers — Victor Symphony Orch and Traviata—Symphony Or

CASTLE HOUSE ORCHESTRA

Arganarez T&ngo 17556 I Enticement Tango 17556

Cecile Waltz 35373 I Esmeralda Waltz 35373

(Catalina One-Step (Hurtado) Hurtado Bros. Marimba Band 1 l Fletita One-Step (/. B. Hurtado) Hurtado Bros. Marimba Band)

CATHOLIC CHURCH MUSIC — See “Gregorian Records,” “Sis- tine Choir” and “Stabat Mater”

CAT IMITATIONS — See “Dog and Kitty Cats” and “Mother Goose”

18194

35298

16088

16757

16659

35241

18962

18762

35202

18869

18612

18646

64723

17718

74420

18195

18720

16547

35290

16483

45053

16974

35717

18095

10

12

10

«

' o.

75

1.25

.75

1.25

.75

1.25

.75